第 369 期·中文精讀

保羅·羅索利:亞馬遜雨林、未接觸部落、森蚺與死藤水

Paul Rosolie: Amazon Jungle, Uncontacted Tribes, Anacondas, and Ayahuasca

探險者講述亞馬遜雨林中的巨蟒、與世隔絕的部落和死藤水經歷,以及守護雨林的緊迫性。

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中文精讀由 AI 基於原始訪談改寫,非官方翻譯,可能存在偏差或錯誤;表述以原音訊與官方文稿為準。說明

2006 年,一個十八歲的紐約少年買了張單程機票飛往亞馬遜。他沒學位,沒經費,沒探險隊,連一本像樣的野外指南都沒讀完。他有閱讀障礙,十歲才學會讀書。

十七年後,他創辦的 Jungle Keepers 保護著五萬英畝受威脅的雨林,常年跟盜伐者、偷獵者和背後資助他們的勢力周旋。他叫 Paul Rosolie,Lex Fridman 說這是他見過最不可思議的人之一,希望有一天能跟他一起走進亞馬遜。

這個故事真正值得講的地方,在他當初為什麼非走不可。

一個讀不懂乘法表的孩子,跑進了樹林

Paul 三歲起就迷上了恐龍、野生動物紀錄片和 Steve Irwin。他父母常開玩笑說 nature versus nurture,他們的做法是"滋養他的天性"。他總是被溪流和森林吸引,想知道那條小溪的盡頭通向哪裡,想看看烏龜和蛇。

他討厭學校。他有閱讀障礙,當時沒被診斷出來,十歲才開始讀書,遠遠落後於同齡人。

他記得一年級的一次經歷:老師發下乘法練習表,他做不出來,情緒徹底崩了,衝出教室,跑到最近的樹林裡待著。因為那裡安全。

到高中,他知道這條路走不通。父母給了他一個極其罕見的回應:退學吧,去考 GED,十年級之後就別唸了,大學要上,但先去做你真正熱愛的事。

他攢錢買了張去亞馬遜的機票,遇到幾個當地原住民,跟著他們走進了雨林。他形容那一刻像《侏羅紀公園》裡第一次看見恐龍的那場戲,所有人愣在那兒,只說得出"就是它了"。他抬頭看那些巨樹,第一次在現實裡看見切葉蟻排隊搬運葉片,心裡只有一個念頭:電影剛開始。

他自己說,那是他"上線"的時刻。

地球上最大的生命圖書館,一半內容我們還沒讀過

亞馬遜對他意味著什麼,他的解釋很樸素:任何一片森林都讓他有歸屬感,紐約上州也好,印度也好,婆羅洲也好,但亞馬遜把這一切都推到了極值。

那裡的動植物比地球上任何地方都多。這種"多"覆蓋了整個化石記錄,不只是當下。安第斯山脈與亞馬遜平原的交界帶,是陸地生態圈裡生命密度最高的地方,用他的話說,那是"曾經存在過的最偉大的生命圖書館"。

這裡有個細節值得停下來想:一半的生命在樹冠層,離地面三十米以上,人類基本沒有通道。那些枝條上有還沒被命名的東西在走動。我們連自己星球上住著什麼都還沒清點完。

更關鍵的是那種感官衝擊的強度。色彩、多樣性、千年樹齡的巨木,還有那種壓倒性的自然威嚴感,會把人帶到某個位置上。當地人給他開啟門時問的是:你想往兔子洞裡走多深?

"Steve 會怎麼做"

他有一套判斷標準。遇到拿不準的決定時,他問自己:WWS D,What Would Steve Do,Steve Irwin 會怎麼做。這個縮寫在他的生活裡就像一句口頭禪,遇到岔路就唸一遍。

為什麼這個人可以當人生演算法用?Paul 的回答很直接:我們從 Steve Irwin 身上看到的一切都是正向的。被網紋蟒咬了,他在笑。因為在節目裡抱著兒子靠近鱷魚餵食被輿論圍攻,他的反應是耐心解釋為什麼這樣做沒問題、為什麼我們必須愛這些動物。

他所有行為的核心都是愛,是對野生動物的保護欲,再加上一種近乎無止境的好奇心和對這個自然世界的飢餓感。Paul 形容他身上有一股"對野生動物的瘋狂勁",那人實在太好玩了。

這套標準好在可執行。抽象的道德原則在糾結的時候幫不上忙,一個具體的人會怎麼反應,代入進去就行。

一個八十多歲老人的秘密

《Mother of God》開篇那一段,Paul 寫的是一個叫 Santiago Duran 的人。深夜裡,在 Tembopata 河畔一間棕櫚葉搭的屋子裡,兩顆野豬頭在炭火中烤著,獠牙在高溫裡僵直地翹起。燒焦的可可木和皮肉的氣味瀰漫開來。房樑上掛著一隻裝猴頭骨的編織籃,星星從茅草縫隙裡露出來。兩隻雞縮在角落低聲交談。桌上是一整塊巨木橫切出來的板子,幾乎被白蟻吃空了。外面是百萬只昆蟲和青蛙的鳴叫。

那是 JJ 的父親。年輕時當過警察,也幹過航運。在那個叫 Puerto Maldonado 的小金礦城還沒長起來之前,物資運進來只有一條路:劃獨木舟沿 Tembopata 河上行到鄰州 Puno,等著騾隊從山上把補給馱下來,再把船順流帶回去。那時候沒有馬達,全靠人在岸上拉縴。

這段經歷把他練成了一個身體上令人畏懼的人。Paul 認識他時他已經八十多歲,一個人住在雨林裡。這個人見過森蚺吞下一頭貘,那種體型接近牛的大型哺乳動物。他面對面見過未接觸部落的人。他殺過一條十一英尺長的電鰻,剖開後頸,取出他認定是電力來源的那根神經,然後切開自己的前臂,把神經埋進去,用一隻死蟾蜍裹住傷口,說這根東西會給他一輩子的力量。

他就這麼一直做叢林裡的狠角色,直到某天在燒烤聚會上安靜地向後一靠,人就沒了。

這段放在開篇,位置很講究。它是 Paul 理解亞馬遜的入口:那套知識體系不寫在任何教科書裡,掌握它的人正在一個一個消失。

夜裡的幾百萬個心跳

在雨林裡過夜,你會清楚地知道黑暗中有幾百萬個心跳。那種感覺跟著你,一刻不停。我們大部分時間活在一個被馴化的、鋪了路的世界裡,可一旦越過公路、電線杆和醫院,真正走進那個野生的地球,就沒有 national park 的護欄,也沒有救援直升機在等你。

他們會戴上頭燈走進夜裡,然後跪在地上驚歎。蛇、美洲豹、青蛙、昆蟲,都在沼澤和枝葉之間爬行穿行。

真正讓他覺得不可思議的地方在這裡:這些東西里大多數不發聲音。昆蟲會叫,青蛙會叫,幾種夜鳥會叫,可大量的生物在進化中選擇了沉默和隱形。你聽到的那片喧鬧,只是整個現場的一小部分配樂。

"翻攪的死亡行軍"

Paul 在書裡寫過一句:生命只是一段短暫的靜止,而亞馬遜是一場不斷翻攪、回收、向前的死亡行軍。

這句話按字面讀就行。任何一英畝土地上,正在吃別的生物的東西,都比地球上任何地方都多。你趟過一片沼澤:捕鳥蛛漂在水面上,青蛙趴在被水淹的樹上,蝌蚪掛在葉片邊緣等著掉進水裡,魚在水下等著吃它們,鳥在枝頭等著。資訊量超過大腦的處理上限,你只能跪下去。

Lex 在訪談裡追問了一個尖銳的問題:我們給二戰中幾千萬人的死亡寫了那麼多書、拍了那麼多電影,可你身邊每時每刻都有幾十億個生命在被殺死,這件事改變你對生命和自然的看法嗎?

Paul 把這個話題推到了更深的地方。他說在亞馬遜,這些自然過程幾乎構成一種宗教。它提醒你我們是多麼短暫。汗從皮膚上蒸騰昇起,進入樹冠,匯入雲層,下午變成雨落下來,你喝下河水,迴圈重新開始,水就這麼流經你的身體。

蚊子想吸你的血,膚蠅想鑽進你的皮膚。用 Werner Herzog 的說法,那是"壓倒性的、集體的謀殺",而它是這場演出的一部分,是亞馬遜之夜這場畸形秀的一部分。

他談到非洲草原上的畫面:一隻角馬被獅子從背後活吃,那種場景會讓人質問上帝,怎麼會允許這種事發生。他給出的回應是:這裡有很多我們不懂的東西。

被子彈蟻咬一口呢?他的反應是:幹得漂亮,今天到此為止,我回去睡覺,吃點藥。

Fair play,公平競賽。你在這個機器裡,就得接受這個規則。

船壞了,河還在漲

他真正迷戀亞馬遜的地方,是它能把人身上那層社會性的東西剝乾淨。

他跟一個叫 Infierno 的原住民社群的一家人成了朋友,被他們接納,後來對方開始邀他參加一年一度的狩獵。四個人一條船,怕弄溼衣服,全都只穿內褲,坐一艘帶馬達的獨木舟,開出所有有名字的地方,進入無名地帶。

然後馬達壞了。

他說這個瞬間會讓人立刻撞上那些無法爭辯的真相。我們生活在一個高度人工化的世界裡,宗教、政治、對任何事的看法,什麼都能辯論。可在那裡,只剩一句話:如果我們不想辦法,河水會漲上來把船帶走。

這句話沒人能反駁。而正因為沒人能反駁,所有人反而在那一刻真正聯合起來了,聯合起來對抗周遭的自然事實。他說那種狀態讓他覺得非常非常自在。

亞馬遜比地球上大多數地方都更擅長把人吞掉。這一點他也承認。

劃完全長的那個西班牙人

訪談裡提到了 Francisco de Orellana。1541 到 1542 年間,他帶隊從安第斯山下來,進入亞馬遜源頭,就地造了些筏子之類的浮具,順流走完了整個流域。中途船毀了,他們又原地重建了一艘。最後憑航行技術和星象判斷出回西班牙的路線,把船修到足夠 seaworthy,一路開回了家。

他的名字和"亞馬遜"這個名字直接相關。他報告說見到了女人部落,見到了大型聚落,見到原住民養著圈起來的河龜,靠那個蛋白質來源過活。

Lex 說這人聽起來像個 gangster,Paul 說確實,關於他的好書不少。這個故事對 Paul 的意義在於那個前提:沒有人會來救你。船死了,你就得自己重造一艘。他在亞馬遜的每一次遠行都遵循這條預設設定,打包、規劃、求生的全部邏輯,都是從這個前提推出來的。

帳篷被沖走的那一夜

Paul 提到 Shackleton 那類人,那些克服了極端苦難的人。他講了自己的一次經歷:睡下去,河水漲了二十英尺,帳篷被沖走,他爬出來,手上只有一把砍刀和一盞頭燈。字面意義上的什麼都沒有,沒有包,沒有食物。

接下來六天走到鎮上,會是純粹的地獄。睡在地上,渾身是螞蟻,被蚊子徹底摧毀。

他腦子裡想的是:我有沒有可能,在任何一個百分比上,比那些我讀過的、扛過遠比這更糟的事情的人更硬一點?

這是他自己跟自己玩的遊戲。

Lex 問他,那種狀態下是純粹的執行模式,還是帶著一點"我是個狠角色"的自我催眠。Paul 承認十幾歲的時候確實有。十四五歲,帶把獵刀,帶著狗進樹林,規則是一根火柴,自己搭庇護所,帶塊牛排去生火烤。那裡面有自尊心的成分。

但在亞馬遜,人會被剝得乾乾淨淨。他說那就像你眼看著無神論在所有人身上消失的那一刻,當他們確信自己要死的時候。他曾在沼澤裡迷路,花了幾天才走出來,有些時刻他認定:就是這兒了。

那種時候沒有自我。只剩希望。你開始弄清自己到底信什麼,祈禱自己能沒事,然後努力把記得的所有生存知識調出來用。

他說如果能在冒險和悲劇之間那條極細的線上走穩而不越界,那其實是一種很幸福的狀態。

怕死嗎?怕。他不想死,他愛他生活裡的人,還有很多事想做。但每一次他確信自己要死的時候,他都非常非常平靜。就是那種:好吧,如果電影這麼演,那就這麼演。幾乎是接受。他說這一點讓他自己感到安心。

Herzog 看見的黑暗,和他看見的恐懼

談到《Grizzly Man》和《Into the Wild》,Paul 說自己差點就成了那種故事。他在書裡寫過,他走得太遠,陷得太深,當時想的是:這就是下一個了,又一個從紐約跑來亞馬遜、自以為是 Percy Fawcett 的傻小子,然後消失。

因為在那裡消失得很徹底。如果死在雨林裡,屍體幾天內就會被處理完。路上看到一隻死掉的動物,會有一套完整的啄食順序:黑禿鷲、黃頭美洲鷲、王鷲,加上蜣螂和蠅蛆,兩三天就清理乾淨。連食物都不能留在外面,一塊雞肉放到早上就毀了。

他喜歡 Herzog,尤其是《Burden of Dreams》,那部片子的拍攝地離他工作的地方不遠。他看的是那種純粹的瘋狂:一個人試圖把一艘蒸汽船拖過一座山。片子裡僱來扮演原住民的群演,他認得出,那些人跟他平時一起混的人一個樣。拍了幾個月,你能看見 Herzog 本人被雨林磨到近乎失常。

雨林就是這樣。Paul 講過一件一年半前的事:疫情期間他基本住在雨林裡,沒有支援。他把船拴在河邊,雨像要把地球撕成兩半一樣砸下來,河水在漲。他拴好船去睡,但每兩個小時必須起來查一次,船在來回掙扎。整夜光著腳,在彈珠大小的雨點裡下到河邊看船。到早上他困得不行,想著先去做杯咖啡,結果十五分鐘的暴雨把船灌滿沉了。

現在他被困在上游,沒有船。

他說這種事無論你怎麼努力都一樣,雨林會告訴你:聽著,你什麼都不是。所以 Herzog 把自己完全扔進那種處境裡,拍出來的東西才那麼好看。

關於那句"一片上帝在憤怒中創造的土地,如果上帝存在的話",Paul 的理解是:Herzog 看到了其中的黑暗,而且他擁抱並熱愛那種黑暗。你一喝死藤水,那扇門就開了,你會看見黑暗,因為它會把你直接帶進雨林的核心裡去。

那隻被判定為"精神失常"的企鵝

訪談裡有一段特別好玩的對話。Herzog 有一部南極的片子,拍了一隻企鵝,它沒有走向大海,而是朝著相反的方向,徑直向內陸走去。Herzog 的旁白說這隻企鵝瘋了,它失去了理智。

Paul 對這句話有意見。

他的反駁是:你怎麼知道這不是一個勇敢的探險家?也許背後有遠為複雜的原因。這可能是個愛情故事。企鵝對伴侶的依戀極深,也許它的伴侶在那邊,它必須去找她。也許是她走失了,而它最後一次見到她,就是朝著那個方向去的。

他說我們預設動物就是鐘形曲線的平均值,遇到的每一隻都代表那個物種的平均狀態。人類裡有普通人,也有非凡的人。動物裡同樣有特殊的個體。

那隻企鵝可能是特殊的一隻。

Lex 說他自己當時也有同樣的想法。在他看來,Herzog 那段旁白在敘事上極其黑暗又極具喜劇性,但用它來解釋企鵝的生物學行為,大概站不住腳。

Paul 順著這個話頭說了一件他常感到挫敗的事:人們會問"你覺得動物會表現出同情心嗎",然後一群從沒離開過柏油路的人圍在一起感嘆"哇,這隻動物幫了另一隻"。他說,去問 Jane Goodall,動物當然會同情;去問任何一個每天跟動物打交道的人。讓人不舒服的地方在這裡:人們居然還會為"動物不只是一臺按程式執行的空殼機器"感到驚喜。

Jane Goodall 打破的那條規矩

Jane Goodall 高度評價過 Paul 的書,也是他敬重的引路人之一。他說她最了不起的地方,是在那個年代做了那樣的田野工作。她很年輕就一個人待在野外,給研究物件起名字,這在當時是所有人都說不能做的事。她幾乎把每一條規矩都踩了一遍。學界批評她在擬人化,說她把動物的行為解讀成了情感。

她的回應是:不,它們在互動,它們在表達愛,在表達同情,在表達憎恨,在表達恐懼。

她硬生生撞穿了那堵牆,而回報是巨大的。

Paul 自己也常年琢磨這個問題。手上爬著一隻螳螂,他會想:你腦子裡在發生什麼?看見蜘蛛做出複雜的判斷,決定把網結在那個位置,他會想:你是怎麼算出來的?那個位置的選擇是一次計算,這意味著某種聰明。

Lex 在這裡丟擲了一個很妙的框架:動物裡有 Mike Tyson,也有 Albert Einstein。你面前這隻,是哪一個?是紐約客還是中西部人?是舊金山的咖啡師還是別的什麼?每種性格都可能出現,所以你沒法預設。你撞見一頭憤怒的熊,它可能就是個脾氣差的紐約客。

一隻斑鳩借他擋了一隻鷹

Paul 講了一個他很喜歡的觀察。

他在雨林裡走,一隻斑鳩突然從林中飛出來,徑直衝到他面前,落在離他臉只有這麼近的樹枝上。他看斑鳩,斑鳩看他,明顯在喘氣。他心想:你為什麼離我這麼近?這很奇怪。斑鳩的眼神像在說:我知道。

然後一隻麗鷹鵰飛到十英尺外,看了看他們倆,皺起眉,豎起頭羽,然後飛走了。斑鳩像是說了句"多謝啦",朝另一個方向飛走。

他當時的反應是:你剛才是拿我當擋箭牌救命。

那隻斑鳩知道自己在做什麼。

JJ:從一串腳印裡讀出十九個結論

Paul 說 JJ 是他見過最有本事的叢林人,而他認識這個地區太多狠角色。JJ 腦子裡裝著幾座圖書館的資訊量,外人根本無法理解。他見過 JJ 用藥用植物治好西方醫生治不好的病。他見過 JJ 在完全看不出依據的情況下辨明方向,不用星星,不用任何可辨識的標記。

這有點像象群。你觀察一群大象,忽然它們像是達成了共識,一起決定往某個方向走,整個過程沒有任何可聽的聲音。JJ 在雨林裡也是這樣:他會停下,說,等一下。你問什麼,他說,有一群西貒正過來。你問根據什麼,他說,等著看。

這是經驗。在亞馬遜光腳長大的經驗。

而他的特殊之處在於,他能說流利的英語。所以當 Paul 帶著遊客、科學家、記者下去的時候,他能直接跟他們溝通。他在鏡頭前表現很好,因為他根本不在乎鏡頭。

Paul 舉了個例子。幾個月前他們沿一條溪流上行,Paul 看到美洲豹的腳印,說了出來。JJ 說,在哪兒?然後說,不對,再看仔細點。Paul 重新看:腳趾印比後掌深。JJ 嗯了一聲,問:在哪?Paul 說在水邊。他立刻反應過來,那隻豹子在喝水,它是側身低頭去喝的。JJ 說,對了。現在看你身後。

Paul 轉身,那裡有一坨新鮮的豹糞,上面落滿了蝴蝶。旁邊還有一坨不太新鮮的。JJ 一邊教一邊說:看這個,看這個,這一坨和那一坨一樣新鮮嗎?不一樣。然後說:現在抬頭。

頭頂有三隻禿鷲盤旋。

獵物就在附近。那隻豹子反覆回到河邊喝水,同時在自己殺死的獵物上進食。JJ 說:它現在離我們不到三十英尺。

Paul 說,我才看到沙上幾個印子,他已經從裡面得出了十九個結論。那感覺像在看福爾摩斯現場重建。

JJ 談動物的時候,會把每個物種當成人來講。他會說,那隻母豹從來不喜歡讓人看見她,然後講:我在看猴子,那隻豹子也在看猴子,但我太安靜了,她沒發現我,等她發現我的時候,她覺得特別不好意思,就走了。講得像在講鄰居的事。

他還會說,那隻美洲角雕從來不這樣,你不會看見它這麼做。

Paul 講了一個自己被抓包的糗事。JJ 釣上來一條很大的魚,一條漂亮的虎鯰,一船人都興奮著要吃。Paul 看著那條魚在沙上喘氣,心裡過不去,說我們不需要這條,這只是為了好玩,就把它放回了水裡。然後他用手在沙上劃出痕跡,想偽裝成魚自己溜回水裡的樣子。

JJ 走過來看了一眼,說:我恨你。

Paul 說,怎麼了,它肯定是自己……

JJ 說:不是這樣的。它跑的時候是這樣的。

他連一條魚逃跑的軌跡都記得。

Paul 只好說:好吧 JJ,對不起,我再給你釣一條。

這片森林真正的價值在哪

把整個訪談串起來看,有一條線始終沒斷:Paul 講的每一個故事,最後都落在同一件事上,那套在雨林裡活了幾千年、能讀懂魚逃跑軌跡和豹子喝水角度的知識體系,只在極少數人腦子裡存在,而且正在跟著這些人一起消失。

他做 Jungle Keepers,保護五萬英畝土地,跟盜伐者、偷獵者和資助他們的勢力周旋,動機很具體:那片土地上還存著人類尚未讀完的一整座圖書館,一半的書架在三十米高的樹冠層,我們連書名都還沒抄下來。

而這座圖書館的守門人,一個接一個地安靜離世。Santiago Duran 就是其中之一。他向後退一靠,那些關於電鰻神經、關於未接觸部落、關於森蚺吞貘的記憶,一起斷了。

Paul 自己也在那條極細的線上走。一邊是冒險,一邊是悲劇,越過去一步就是又一個從紐約來的傻小子的故事。他清楚地知道這一點,也知道自己隨時可能被這片森林處理掉,幾天之內清理乾淨,連塊雞肉都留不到第二天早上。

他仍然待在那兒。

被子彈蟻咬一口,他說幹得漂亮。船沉了被困在上游,他說你什麼都不是。迷路幾天以為要死了,他說那是一種近乎幸福的狀態。

他當然怕死。他愛他生活裡的人,還有很多事想做。只是每一次他真的確信自己要死的時候,他都非常平靜。

你得走進去,才知道自己是不是真的會這樣。

  • 想去雨林,先找懂行的人帶路。Paul 第一次進亞馬遜就是靠當地原住民開門。找一個在那裡生活了一輩子的人,比帶十件裝備有用。
  • 練習讀環境,不只是看風景。下次在野外或公園,試著從一串腳印、一坨糞便、頭頂盤旋的鳥,反推剛才發生了什麼。JJ 的能力來自幾十年攢下的觀察量。
  • 用"這個人會怎麼做"當決策工具。Paul 用 WWS D 解決糾結。找一個你完全信任、行為模式清晰的人,遇到拿不準的事就代入他的視角問一遍。
  • 把"沒人會來救你"提前想清楚。無論是一次遠征還是一個專案,先問:如果馬達壞了、船沉了,我自己能不能重造一艘。答案是"能",你才有資格往裡走。
  • 別把動物當成物種平均值。你遇到的每一隻都是個體,可能是 Mike Tyson,也可能是 Einstein。那隻朝內陸走的企鵝,也許真的在找一個走失的伴侶。
  • 支援守在那片土地上的人。五萬英畝的守護,最終落在 Jungle Keepers 這樣一支在地的團隊身上。遠方的同情幫不上忙,關注他們、捐一點錢,或者至少把他們的名字傳出去,都比在心裡感動一下更有用。
文稿由本站用語音識別模型(基於官方釋出音訊)機器轉寫,可能有識別錯誤,人名與數字請以音訊為準。
Lex Fridman Podcast #369 – Paul Rosolie: Amazon Jungle, Uncontacted Tribes, Anacondas, and Ayahuasca Machine transcription by Qwen3-ASR 0.6B (MLX, local, Apache-2.0). May contain recognition errors. The following is a conversation with Paul Rosely, a conservationist, explorer, author, filmmaker, and real life Tarzan. Since for much of the past seventeen years, Paul has lived deep in the Amazon rainforest, protecting endangered species and trees from poachers, loggers, and foreign nations funding them. He is the founder of Jungle Keepers, which today protects over fifty thousand acres of threatened habitat. And Paul is one of the most incredible human beings I've ever met. I hope to travel with him in the Amazon jungle one day because in his eyes, I saw a truth that can only be discovered directly by spending time among the immensity and power of nature at its purest. And now a quick few second mention of each sponsor. Check them out in the description. It's the best way to support this podcast. We got Eight Sleep for naps, BetterHelp for mental health, and Athleta Greens for a great nutritional basis for your health. She's wiser than my friends. Also, if you want to work with our team, we're always hiring. Go to lexfreeman dot com slash hiring. And now onto the full ad reads. As always, no ads in the middle. I try to make this interesting, but if you skip them, please still check out the sponsors. I enjoy their stuff. Maybe you will too. This episode is brought to you by Eight Sleep and its new Pod Three mattress. There is few things I enjoy in life more than a great power nap. I take a sip of coffee, I get some caffeine in my body, and then when the feeling of just kind of jadedness of tiredness, if you think of motivation as an ocean. The thing that covers that motivation are the surface waves. I think of the desire to nap with the surface waves, and the nap itself is a way to bring calm to the waters. It's a way to let the storm pass. I just took a nap before this, and you perhaps can tell in my voice the energy of a thousand butterflies. I don't know why I chose butterflies, but I did. I don't know why I chose a thousand, but it's a distributed system with emergent behavior. I am sure. Although the flocking behavior I am aware of is mostly for birds, I wonder if butterflies flock. They seem more independent. They seem too beautiful to flock. Does beauty prevent you from cooperating? Is there is there a threshold beyond which you are too beautiful to cooperate with others? And the definition of beauty, of course, is species dependent, unless we're talking about butterflies. In which case, they're just beautiful, beautiful to other species as well, at least to humans. Anyway, check out Eight Sleep and get special savings when you go to eightsleep dot com slash lex. This episode is also brought to you by BetterHelp spelled H E L P Help. I've been going through some rough times mentally. I just took a nap, so I am feeling pretty good. But this last year, and I just tweeted about this, has been really rough. I had some really low points. It's probably not the right place to talk about such low points here, as I sit alone in a dark hotel room. All the lights off because you know how hotel rooms are. There is no overhead lights. It's just the lamp, and nobody knows how to turn that lamp on, so it's mostly darkness. With a little hints of light from a lamp that's just around the corner, and here I sit alone with a microphone, talking about things. What is this life exactly? Anyway, sometimes those little environments, those little moments, can catch you off guard, and the darkness that's in our past comes to the surface, and it can break you. It's good to bring it to the surface often so it doesn't break you, and that's where I think talking to others helps. I think talk therapy with a professional helps. If you want an accessible version of that, check out BetterHelp at betterhelp dot com slash lex and save on your first month. That's betterhelp dot com slash lex. This show is also brought to you by Athleta Greens and its AG One drink, which is an all in one daily drink to support better health and peak performance. Actually, I am currently in Boston, Cambridge, Massachusetts, and tragically, I ran out of Athleta Greens. Athleta Greens is one of the things that makes me feel like I am home. It is part of the daily ritual. I drink it twice a day, and it kind of grounds me. It helps me make sure I am getting all the nutrition I need. There is something about making sure your diet is not horrible, and you are getting the nutrients in your body that you need. And you are getting the sleep and the rest and the exercise you need when all of that is in place. There is so much more that you can do with life. All the hardship, all the dark things, everything you can take it on. And the easiest version of that is the vitamins. And the super awesome multi vitamin I rely on is Athleta Greens. It's also delicious, I should say. They'll give you a free one year supply of vitamin D and five free travel packs with your first purchase when you go to athleta greens dot com slash lex. This is the Lex Freeman podcast to support it. Please check out our sponsors in the description. And now, dear friends, here is Paul Rosely. In two thousand six, at eighteen years old, you fled New York and traveled to the Amazon. This started a journey that I think lasts to this day. Tell me about this first leap. What in your heart pulled you towards the Amazon jungle? From the time I was, you know, three years old, I'd say you know was dinosaurs, wildlife documentaries, Steve Irwin, you name it. And like when my parents said, you know, nature versus nurture, they they nurtured my nature. I was always just drawn to streams, forests. I wanted to go explore where the little little creek led. I wanted to see the turtles and the snakes. And so I was a kid that hated school, did not get along with school. I was dyslexic and didn't know it undiagnosed. I didn't read until I was like ten years old, like way behind. And so for me, the forest was safety. Like I remember one time in first grade, they had you doing those you know those multiplication sheets. That was pure hell for me, and so I actually got so upset that I couldn't do it that I ran out the classroom, ran out the door and went to the nearest woods and I stayed there because that was safe. And so for me, like once I got to the point where I was like high school isn't working out. I had incredibly supported parents that were like, look just get out, take your GED, get out of high school after tenth grade. You got to go to college, but like start doing something you love. And so I saved up and bought a ticket to the Amazon and met some indigenous guys and. The second I walked in that forest, it was like it's like the first scene in Jurassic Park when they see the dinosaurs and they go, oh this is it. I walked in there and just I looked at those giant trees, I saw leaf cutter ants in real life and I just went, oh. It was like the movie just started. You know that was when that was when like I came online. Can you put into words what is it about that place that felt like home? What was it that drew you? What aspect of nature—the streams, the water, the the forest, the jungle, the animals—what what drew you? It's just it's always been in my blood. I mean, for any forest, I mean whether it's you know upstate New York or or India or Borneo, but the Amazon it's it's it's all of that turned up to this level where everything is superlatively diverse. You know you have more plants and animals than anywhere else on Earth. Not just now, but in the entire fossil record. It's the Andes Amazon interface. There is just that's terrestrially that's that's where it is. That's the greatest library of life that has ever existed. And so you are just you are so stimulated, you are so overwhelmed with color and diversity and beauty and this overwhelming sense of natural majesty of these you know thousand year old trees and half the life is up in the canopy of those trees. We don't even have access to it. There is stuff without names walking around on those branches and it's like it just takes you somewhere and so going there it was like. You know the guys I met just opened the door and they were like, you know how far do you want to go down the rabbit hole? How how how much of this do you want to see? You mentioned Steve Irwin. You list a bunch of heroes that you have. He's one of them, and you said that when you aren't sure about a decision, you ask yourself, W W S D. What would Steve do? Why is that such a good heuristic for life? What would Steve do? He's a human being that like everything we saw from Steve Irwin was positive. Everything was with a smile on his face. If he was getting bitten by a reticulated python, he was smiling. If he was you know getting destroyed in the news for feeding a crocodile with his son too close, he was trying to explain to people why it's okay and why we have to love these animals and everything was about love. Everything was about you know wildlife and protecting and to me a person like that that where you only see positive things. That's that's a role model and it's just like an endless curiosity and hunger to explore this this world of nature. Yeah and an insatiable madness for for for wildlife. I mean the guy was just so much fun. I got if it's okay, read to you a few of your own words. You open the book Mother of God with a passage that I think beautifully paints a scene. Before he died, Santiago Duran told me a secret. It was late at night in a palm thatched hut on the bank of the Temple Potah River, deep in the southwestern corner of the Amazon basin. Besides a mud oven, two wild boar heads sizzling, sizzled in a cradle of embers. Their protruding tusks curling in static agony as they cooked. The smell of burning cacao wood and cinched flesh filled the air. A woven basket containing monkey skulls hung from the rafters, where stars peeked through the gaps in the thatching. A pair of chickens huddled in the corner, conversing softly. We sat facing each other on sturdy benches across a table hewn from a single cross section of some massive tree, now nearly consumed by termites. The song of a million insects and frogs filled the night. Santiago's cigarette trembled in the aged fingers as he leaned close over the candle light to describe a place hidden in the jungle. That line, the songs of a million insects and frogs filled the night. For some reason, hit me. What's it like sitting there conversing among so many living creatures all around you? Every night in the jungle, you live in constant awareness of that out there in the darkness. Are literally millions of heartbeats around you, and so like we exist in this in this you know domesticated paved world most of the time. But when you go out there past the roads and the and the telephone poles and the hospitals and you make it out into Earth, just wild Earth. And there is no there is no there is not not like this is a national park. There is no rescue helicopter waiting to come get you. You are out there and you are surrounded at night by. I mean there are snakes and jaguars and frogs and insects and all this stuff just crawling through the swamps and through the trees and through the branches and. We put on headlamps and go out into the night and just absolutely fall to our knees with wonder of the things that we see. It's it's absolutely incredible and most of it doesn't make sounds like the insects do. The insects do the frogs do you have some of the night birds making sounds but a lot of it everything has evolved to be silent invisible. I mean everything there is in the on on the list like like I there is another line in Mother of God where I said like you know like life is just like a temporary moment of stasis and like the churning recycling death march that is the Amazon like it's um. It's been called the greatest natural battlefield on Earth. I mean, in any square acre, there is more stuff eating other things than anywhere else. And and you go through a swamp in the Amazon, and there is like there is tarantulas floating on the water, there is frogs in the trees, there is there is. There is tadpoles hanging from leaves waiting to drop into the water. There is fish waiting to eat them. There is birds in the tree. You sit you you literally are surrounded by so many things that your brain can't process it. It's it's just overwhelming. Life churning death march. Some of the creatures are waiting, and some of them are being a bit more proactive about it. What do you make of that churning death march? The amount of murder that's happening all around you at all scales. What is that? You know we we dramatize wars and the millions of people that were lost in World War Two. Some of them tortured, some of them dying with a gun in hand, some of them civilians, but it's just millions of people. What about the billions and billions and billions of organisms that are just being murdered all around you? Does that do? Does that change your view of nature of life here? I've always kind of wondered like that like when you see like a you know wildebeest taken down by lions and and eaten from behind while it's alive and it makes you question God you know you go how could how could how could they let this happen. In the Amazon, I find personally that these natural processes make up almost a religion. That it reminds you how temporary we are. That you know the the the botflies that are trying to get into your skin and the mosquitoes that are trying to suck your blood and the. You know when that when you sweat you see you see the you literally can like hold out your arm and watch the condensation come off of your skin and rise up into the canopy and join the clouds and rain back down in the afternoon and and then you drink the river and start it all over again and it's like it's flowing through you so. The Amazon reminds me that that there is a lot that we don't understand, and so when it comes to that overwhelming and collective murder as Werner Herzog put it, um it's it's just part of the show. It's part of the freak show of the Amazonian night. So you I you in certain moments able to feel one with a mosquito that's trying to kill you slowly and one with the mosquito as a stretch. Is it always the enemy? What I mean is like you are part of the machine there, right? Yeah and it's like fair play, it's like fair play. So like we have bullet ants and like you know you get you get nailed by a bullet ant, you just go yeah well well done well done. Today's today's over. I am going back to bed and I am taking a pile of tile and all and you know. Do you think in that sense, when you are out there, are you a part of nature or you separate from nature? Man, a part of nature or separate. I think that's what's so refreshing about it is that out there you truly are, and so whether we're bringing researchers or film crews or or whether we're just out there ourselves on an expedition. You truly are part of nature, and so one of the things that the my team and I started doing when I became friends with these guys, you know this is a family of indigenous people from the community of Infierno and they took me in and. As we got close, they started saying, "You know you can come with us on our like annual hunting trip," and I went okay, and it's four guys in a boat and you don't want to get your clothes wet, so we're all in like our boxers in a canoe with a motor going out past the places that have names and you are out in the middle of the jungle and the thing is like. When your when your motor breaks, you are so quickly reminded of the inherent truths like the things that nobody can argue with, and we live in such a human world where everything is debatable, religion and politics and perspectives on everything and then you get down to this point where it's like. If we don't figure something out, the river is going to rise and take the boat. That's the truth, and ain't nobody going to like argue with that. And it's like to me, there is a beauty in that truth because then all of us are united there and that truth against like the natural facts around us. And so to me, I that's that's that's a state where I feel very very at home. And the Amazon is more efficient than most places on Earth at swallowing you up. Oh god, yeah okay. So just a linger on that though because you you spoken about Francisco de Aranha, who's this explorer in the in fifteen forty one and forty two that sailed the length of the Amazon. Probably one of the first and there is just a few things. I should probably read. I should probably find a good book on him because the guy seems like a gangster. Yes, some great books on him. So he sailed, he led the expedition that sailed all the way from one end to the other. There is like a rebuilding of a ship, which is insanity. Yeah, yeah. So because it speaks to the thing, it's like nobody's going to come and rescue you. No, you have to. If your boat dies, you got to have to rebuild it. Yeah, so they came down the Andes, entered in the headwaters of the Amazon, constructed some sort of raft, boat, craft, something, and made it down the entire Amazon basin. Of course, his stories are the ones that led to the Amazon being called the Amazon because he reported tribes of women, he reported these large cities, places where the tribes lived on farms of river turtles that they corralled and they lived off of that protein and then when they came out to the mouth of the Amazon. If I remember it correctly, that just through navigation and the stars, they were able to calculate where the way was back to Spain and make a boat seaworthy enough to bring them home. Incredible, absolutely. Do people like that inspire you your own journey? Like, what gives you kind of strength that in these harshes of times and harshes of conditions you can persevere? Yeah, I mean you look at the stories of people that are so you know these stories of people that have overcome incredible suffering like that or like you know what Shackleton did or something like that and so like when you are you know I've been you know your your tent gets washed away, you go to sleep and the river rises twenty feet and washes away your tent and you crawl out and all you have is a machete and a headlamp, literally no bag, no food, no nothing and you go wow the next six days before I reach it back to the town is going to be just pure hell. I am going to be sleeping on the ground covered in ants, destroyed by mosquitoes, and then it becomes you know am I in any capacity any percentage as tough and resilient as the people that I've read about that have made it through things far worse than this and and then that's the game you play. What goes through your head when all you got is the headlamp and the machete? So are you thinking at all? Like I've I've got a chance to interact quite a lot with Elon Musk and he constantly puts out fires having to run several companies. There is never a kind of. Ah, whiny deliberation about issues. You just always one one step forward, how to solve right. This is the situation. How do you solve it, or do you also have a kind of self motivating, almost egotistical like I am a bad motherfucker. I can handle anything, almost like trying to fake it till you make it kind of thing. There was a little bit. You are machete, and I got a sword. There, there may may have been a little bit of that when I was like you know like fourteen, fifteen years old. I'd like you know have like a hunting knife and my dog and I'd go out into the woods like the cat skills and survive for a weekend with my rule was one match. You know you get one match and you got to make shelter and then you know I'd bring like a steak and like make a fire and stuff and like at that point there may be some ego but in the Amazon. You get stripped down so completely that you, it's like that thing like you know watch the atheism leave everyone's body when they think they're about to die it's like when you. Find yourself staring up at the Amazon at night and you go there is no hope of getting out of here. I mean I was once lost in a swamp where it took me days to get out of there and there was there was moments where. I just said this is you know this is clearly it. There is no there is no ego there. There is just hope. You you start you start realizing what you believe in and. Praying that you'll be okay and and then trying trying to summon whatever you know about how to survive and. And that's it. And so it's it's actually again it's kind of it's kind of a blissful state if you can walk that line between like adventure and tragedy and sort of keep yourself right at that very very fine line without going over. Ever fear of death, fear ever fear. Um terror. No, I don't want to die. I want to I want to you know I love the people in my life and there is a lot of things I want to do but every time I've been every time I've been certain that I am going to die it's been I've been very very calm. Very calm and just sort of like okay well if this is how the movie goes and this is how it goes almost accepting. Yeah, which is which is reassuring. You mentioned Herzog, just to venture down this road of death and fear and so on. T here is been a few madmen like you in this world. Ah, he's documented a couple of them. What lessons do you draw from Grizzly Man or Into the Wild those kinds of stories? Were you ever afraid that you'll be one of those stories? Oh yeah, I actually think that that it's in Mother of God where I said I almost into the wild did myself like I went out there and really I got so lost and so destroyed that. I said this this is this is going to be the next one you know this is going to be the next story of some idiot kid from New York who went to the Amazon thinking he was Percy Fawcett and then vanished because if you if you do vanish out there. Your body is going to be consumed in a matter of days, like like two. You know if we see if we see an animal dead on a trail, it's you got dung beetles and and fly larvae and vultures and there is a whole pecking order. You know you get the black vultures, the yellow vultures, the king vulture. They all come in that thing is picked clean in a couple of days. What would be the creature that eats most of you in that situation? Probably the vultures. Probably the vultures and the and the maggots. It's it's really quick. It's really really quick. Like like like you even as far as like you can't leave food out. You know like if you have like a piece of chicken you say oh I'll eat it in the morning you leave it out you can't do that. It's not it's not good by morning. Grizzly Man for example like what because that's a beautiful story it's both comical and genius and especially the way Herzog tells it. Well first of all do you like the way he told the story do you like Herzog? I do I love Herzog and I love his his documentary The Burden of Dreams which is which is in the Amazon not very far from where I work. And the the sheer madness that you see this man undergoing of just trying to recreate hauling a boat over a mountain. Um is is is wild and and the you know the the extras that he hired to be to play the natives are are the I think they're Machuengga tribesmen and they just. They they just look like all the guys that I hang out with and it's like you know they're they're doing all this stuff in the jungle that months and months and months and you can just see him deteriorating with madness because the jungle you know your boat you know how many times I've tied up a boat to the side of the river this just happened like a year and a half ago I tied up through through COVID I pretty much just lived in the jungle for a while. And there was nobody there and there was no support and I tied up my boat and the rain is just hammering like like like the universe is trying to rip the earth in half the rain is just going and the river is rising and I tied up the boat. But then you go to sleep and you got to wake up every two hours to go check the boat and the boat is thrashing back and forth and so all night every two hours I'd wake up barefoot in driving rain like you know golf ball raindrops and just go down check the boat and then by morning I was like I fell asleep. Woke up check the boat and then I was like I am just going to go make coffee I was so done I was so like at the end of my rope every time bailing the boat out and stuff. And then we got fifteen minutes of heavy rain that filled the boat sank it so now I am stuck upriver with no boat and it's like that type of thing where it's like no matter how hard you try the jungle is just like listen. You you nothing you are nothing and so it's that constant reminder and so Herzog really threw himself into that in that film and it's it's brilliant to watch. What do you think you meant by the line that you include in your book? It's a land that God, if he exists, has created in anger. Said in German accent. Yeah, overwhelming and collective murder. So that's that's. So you didn't really appreciate the beauty of the of the murder. I think he appreciated it, but to him it it was very dark. You know I think he saw the darkness in it and that's there it sure is as soon as you do ayahuasca you that door opens and you see the darkness because it brings you right into the jungle like the the heart of it. But I think that for him it it is I think that darkness is something that he embraces and that he loves. There is another film of his and I don't know if this is accurate but my memory has it. That there is a penguin and I think it's in Antarctica and the penguins going in the wrong direction away from the ocean. And I feel like he goes on this monologue about how like he's just had enough. Yeah, this one penguin is just marching towards you know. Yeah, well he his because I remember that clip from that documentary. And what Werner says is that the penguin is deranged. Yes, he's lost his mind, and I. Took offense to that. Yeah, because maybe that's a brave explorer like how how do you know there is not some a lot more going on like. It could be a love story. Those penguins get super attached. Maybe his mate was over there and he had to go find her like. Or it's a lost mate and he last time he saw her was going to that direction. Exactly. So this is like the great explorer they we we assume animals are like the average of the bell curve like every animal we interact with is just the average but there are special ones just like there are special humans. Yeah, that could be a special penguin. It could have been and I had the same thought where I was like I was like he's I found it beautiful how he interpreted it what I took away from that was I found that Werner Herzog's. Monologue there was was brilliantly dark and also comedic, but but maybe irrelevant biologically speaking towards penguins like you know um which which happens a lot with animals I find like there is so many times where I find people be like do you think that animals can show compassion and you hear like a bunch of people that have never left the pavement. Talking about like wow this this one animal helped another and it's like it's like go ask Jane Goodall animals can show compassion go go talk to anybody that works on a daily basis with animals and they'll and so like to me there is there is always a little bit of frustration in hearing people sort of like. Pleasantly surprised that animals aren't just you know you know these automatons of you know just just what's the word like like programmed you know nothingness. First of all, what have you learned about life from Jane Goodall because she spoke highly of your book and you listers as one of the mentors but what what kind of wisdom about animals do you draw from her. The wisdom from Jane is so diverse. It's I mean she first of all she's someone that you know the work that she did at at the time she did it was so incredible because I mean she she was out there at a very young age doing that field work she was naming her subjects which everyone said you shouldn't do. She broke every rule she broke every rule she was assigning and everyone said you know you're anthropomorphizing these animals by saying that they're doing this and that and she she was like no they they they're interacting they're showing love they're showing compassion they're showing hate they're showing fear. And and she broke straight through all of those things and and it paid off in dividends for her. Do you see the animals as having all those human like emotions of anger of compassion of longing of loneliness from what you've seen. Especially with mammals, but with different species out there do they have all that? It depends on the animal you know if you talk you know on the on the scale of a cockroach to an elephant you know it's like a lot of these things and I wonder about this stuff all the time you know I'll I'll have a praying mantis on my hand and just go what is going through your mind you know or you'll see you'll see a spider make a complex decision and go I am going to make my web there. You know and you go how how are you how are you doing this how are you because he he made a calculation there you know it's smart. I was in the jungle not that long ago and I was walking and all of a sudden this dove comes flying through the jungle right up to my face lands on a branch like right here right next to me I look at the dove dove looks at me and she's like hey. And she's clearly like panting and I am like I am like why why are you why are you so close to this is weird and she's like I know. And then and then an ornate hawk eagle flies up ten feet away looks at both of us and just like scowls and like sticks up its head feathers and then just like flies off and the dove is like sweet thanks and then flit flew in the other direction and I was like dude you just used me to save your life. Yeah the dove knew. See but this is what because there is you know there is Mike Tyson and there is Albert Einstein. Yeah and sometimes I wonder when I look at different creatures even insects like is this Mike Tyson or is this Einstein? Yeah like because one or other kinds of personality like is this a New Yorker or is this a Midwesterner or is this like a San Francisco barista of the insects like. There is all kinds of personalities you never know so you can't like project like you if you run into a bear and it's very angry it could be just the asshole New Yorker. Yeah sure as opposed to what are you saying about New Yorkers man exactly. Point well made. So speaking about communicating with a dove. You first met the crew in the Amazon. You talk about JJ as somebody who can communicate with animals. What do you think JJ is able to see and hear and feel that others don't that he's able to communicate with the animals. When I say this is. The most skilled jungle man I've ever seen and I know so many guys in the region. Um he has libraries of information in his cranium that we cannot fathom it's just it's just stunning like you know I have seen him use medicinal plants to cure things that Western doctors couldn't cure. I've seen him navigate in such a way that he's not using the stars he's not using any any discernible. You know it's it's like when elephants sometimes like you'll watch a herd of elephants and they'll be like yo let's go we're going this way and you'll see them sort of communicate but there is no audible sound. They'll just decide that they're going that when they all do it. JJ has this way in the jungle of you know he'll stop and he'll go wait and you go what is it and he goes. There's a herd of peccary coming and I am like where based on what you know and he's like just wait you'll see and he'll sit there. You know it's just experience it's incredible experience it's it's it's growing up barefoot in the Amazon and the gift is that he can speak fluent English and so when I bring tourists and scientists or news reporters down there. He can communicate with them. He's actually good on camera because he doesn't care about cameras. Um and like you know for instance we were we were we were walking up a stream a few months ago and I went hey look jaguar tracks and he went and I was like what jaguar tracks and he's like no look look harder and I was like. The the toes are deeper than the back and he was like uh huh and where are they and I was like by the water and I was like the jaguar is drinking it was leaning to drink and he was like that's right he's like now look behind you I look behind me and there's scat there's a big log of jaguar shit sitting there and it's got butterflies all over it fresh pretty fresh and then there's another one that's less fresh and so he's he's teaching me as he does he's going look at this look at this is that one as fresh as this one no. And then he goes now look up look up, there's three vultures above us. The kill is near us. The jaguar has been coming multiple times to the river to drink as it's feasting on whatever it killed and he's going it's within thirty feet of us right now and it's like. I am like oh look impressions in the sand he's like I just drew nineteen conclusions from that it's like watching Sherlock Holmes at work it's just constructing the crime scene incredible. Does that apply also to be able to communicate with the actual animals like read into their body movements directly. Into their whatever that dove was saying to you to be able to understand, or is that all just kind of taking in the complex structure of the crime scene of the interactions of the different animals of the environment and so on like what is that that you are able to communicate with another creature that he was able to communicate with another creature. He knows the intention of pose. He knows the habits. He knows the perspective when when when he talks about animals. He'll talk about each species as if it's a person. So he'll say oh oh the the jaguar she never likes to let you see her and so he'll come back from the jungle and he go oh I was watching monkeys and this. This jaguar was also watching the monkeys but I was being so quiet she didn't see me and then when she see me she feels so embarrassed and she go and he'll tell you this story like as if he had this interaction with like his neighbor. And you know and he'll be like oh the puka kunga it never does that you won't see it do that and so one time one time he caught a fish and I I was such a big fish this big beautiful pseudo platystoma this tiger catfish this amazing old fish and they're all excited to eat it and I felt so bad watching this thing gasp on the sand and I went you know what we don't need this this is for fun. I threw back oh no and then I took my hand and I went and I made like drag marks like so I could say oh it it snuck back in the water and so he walks up he looks at it and he was like I hate you and I went what no I said I must have it must have just he went that's not what happens he goes it goes like this when it go he knew the track of a fish and I was like yeah. I was like all right JJ I am sorry I'll catch you another fish. So stepping back to that way you open Mother of God. Yeah, who was Santiago Duran and what secret did he tell you? JJ's father was at some point he was a policeman at some point when he was a teenager he was working on the boats that before this little gold mining city of Puerto Maldonado. Grew the only way to get supplies in was to take canoes up the Tembopata River up to the next state which is Puno and and where mules would come down from the mountains with supplies and then he'd pilot the boats down but they didn't have motors at that time so he would be pulling the boat so he was he became this physically. Terrifying man and I met him when he was in his eighties and he was still living out in the jungle by himself and I mean he's seen an anaconda eat a taper which is the you know a cow sized mammal in the Amazon. He'd seen uncontacted tribes face to face. He once killed an eleven foot electric eel. Opened the back of the thing's neck, removed the nerve that he says was the source of the electric. Then he cut his forearm, placed that nerve into his forearm, wrapped it with a dead toad, and claimed that it would give him strength through the rest of his life. And continued to be a jungle badass until the day he quietly leaned back at a barbecue and ceased to be alive. The man was incredible but the

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