特別節目·中文精讀

帕梅拉·麥考黛克:《會思考的機器》與人工智慧的早期歲月

Pamela McCorduck: Machines Who Think and the Early Days of AI

AI 史學家回憶與人工智慧先驅共事的年代,講述這門學科早期的理想、爭論與人物。

官方音訊00:00 / --:--
中文精讀由 AI 基於原始訪談改寫,非官方翻譯,可能存在偏差或錯誤;表述以原音訊與官方文稿為準。說明

1979 年,《會思考的機器》(Machines Who Think)出版。作者在書的開頭寫下這樣一層意思:人工智慧始於人類鍛造神祇的古老願望。

說這話的人叫帕梅拉·麥考黛克(Pamela McCorduck)。一個英語文學出身的小說家,跑去給一個剛滿十歲的科學領域寫史。這件事本身就很奇怪,奇怪到她申請研究經費的時候,美國國家科學基金會的人直接跟她說:你只是個作家,你不是科學史家。

她的回答是:對,但科學史家早晚會把這塊地翻個底朝天,我寫的是給普通人看的東西。

對方還是沒鬆口。

最後掏錢的是 MIT 的埃德·弗雷德金(Ed Fredkin)。一個有錢人,專門喜歡他所謂的"瘋子想法"。他覺得給 AI 寫史就是個瘋子想法,值得支援。麥考黛克到今天還說,她永遠感激這個人。

一個小說家決定給一個剛滿十年的領域寫史

故事的起點在斯坦福。她當時租了個房子過夏天,坐在門廊下,腦子裡冒出一個念頭:我應該寫本小說,寫寫 AI 圈裡這群怪人。

然後念頭轉了向。別寫小說了,寫歷史。採訪一圈,把材料拼起來,書就成了。

我當時的想法就是這麼簡單。結果比這難太多了。(麥考黛克)

難的地方在於,沒人幹過這件事。整個領域才十來歲,論文散在幾十本期刊裡,沒有網際網路,想看篇文章得跑圖書館。她之前給費根鮑姆(Ed Feigenbaum)當過助理,還參與過費根鮑姆和朱利安·費爾德曼(Julian Feldman)編的《計算機與思維》(Computers and Thought)。那是 AI 的第一本讀本,編它的原因特別樸素:他們要在伯克利開課教 AI,學生找不到教材,只能被支使去這本期刊那本期刊翻。

約翰·麥卡錫(John McCarthy)聽說她要寫史,覺得這主意很蠢。他手上有個數學問題,希望她寫那個。

她的回應後來成了名言:約翰,我不是一個找專案的女人。這就是我想做的事,希望你能配合。

麥卡錫嘟囔了幾句,說,行吧,反正是你的時間。

她的時間,用在了一群正處在學術生涯頂峰的人身上。這些人願意從忙碌裡抽出幾個小時,跟一個聲稱"我要寫本關於你們的書"的女人聊天。她後來說,這件事讓她覺得很謙卑。

四位奠基人,和一次帶著能跑的程式去參會的經歷

1956 年達特茅斯那場夏季工作坊,後來被追認為 AI 這個學科的誕生儀式。到場的名字現在都是教科書上的:麥卡錫、明斯基(Marvin Minsky)、夏農(Claude Shannon)、紐厄爾(Alan Newell)、西蒙(Herb Simon)。

但麥考黛克特別強調一個細節。那間屋子裡,只有紐厄爾和西蒙帶著一個真正能跑起來的程式到場,叫"邏輯理論家"(Logic Theorist)。其他人帶的是想法。

所有人都有很好的想法,關於他們打算怎麼做。但他們還沒做出來。(麥考黛克)

她把紐厄爾、西蒙、明斯基、麥卡錫稱為四位奠基人。四個人走的路子完全不同。

紐厄爾和西蒙是認知心理學家。他們想要的是模擬人類智慧的各個側面,然後發現計算機能幹這事。麥卡錫 1949 年在加州理工還是學生的時候,聽了一場講座,腦子裡冒出"這個做起來應該挺好玩"的念頭,之後一路走的是數學路線。明斯基是混合體,他覺得這事酷。

麥卡錫後來有一套很完整的論證,主題是人類有了這項技術會得到多大的好處。你要是提技術上的反對意見,他就給你一個技術上的解決方案,然後繼續往下推。他最愛講的一個東西叫"文學問題":文學有它的成規,其中一個成規是故事裡得有英雄和反派,英雄通常是人,反派通常是機器。

麥卡錫說,事情不會是這樣的。

麥考黛克聽完的反應是:他說得對。

希臘人的機器人,希伯來人的禁令

如果只把 AI 看成二戰後數學和工程學的產物,會漏掉很長一段前史。

麥考黛克把這段前史歸成兩種態度。她管一種叫希臘觀點:機器人是好東西,是好幫手,它們在赫菲斯托斯(Hephaestus)的鍛爐裡幹活,人們張開雙臂歡迎它們。

另一種叫希伯來觀點,源頭是第二誡,不可為自己雕刻偶像。不要開始模仿人,那是被禁止的。

這兩種態度到今天還在打架。大量對 AI 的牴觸情緒裡,藏著一種"這事有點邪惡、有點褻瀆"的感覺。麥考黛克的態度很乾脆:確實會有壞處,但褻瀆不在其中。

前史比她最初以為的還要長。有位古典學學者跟她聊起《奧德賽》,說這部史詩裡全是機器人。她一愣。對方解釋:奧德修斯那條船是怎麼從一個地方開到另一個地方的?他根本沒有足夠的船員划槳。那是魔法,是機器人。

《伊利亞特》裡也有。赫菲斯托斯的鍛爐裡有會自己移動的三足鼎。

再往後,十九世紀末二十世紀初,真有一批科學家試圖把這事做出來,無一成功,技術條件不夠。巴貝奇(Charles Babbage)在 1850 年代就意識到,他造的那臺機器具備智慧行為的潛力。然後錢花光了,英國政府說夠了。他和洛夫萊斯夫人(Ada Lovelace)商量過用這臺機器去賭馬籌錢。他還有別的籌款點子。

《弗蘭肯斯坦》裡真正的反派是誰

麥考黛克家的茶几上放著一本註釋版《弗蘭肯斯坦》。她的評價是:這是一部極其出色的小說,洞察力驚人。

有意思的地方在於誰是反派。那個被造出來的生物從頭到尾沒有名字,弗蘭肯斯坦是造他的那個人的姓。生物想要的是被愛、被接納。只有當造他的人轉過頭去、轉身跑掉,當它徹底得不到愛的時候,它才變成後來那個怪物。

麥考黛克說,反派是誰其實不清楚。真正把它逼成怪物的,是那些躲開它的人。

小說裡有一段:生物和一個盲人成了朋友,它照料這個盲人,兩人相處得很好。後來盲人家裡的明眼人回來了,一看,你這裡有個怪物。故事就此崩掉。

她提到的另一個細節,很多人不知道。瑪麗·雪萊和珀西·雪萊大量閱讀了當時美國廢奴運動的文獻,他們把那一整套論述搬進了小說裡:你們之所以把這些人造化成怪物,是因為你們不肯給他們應得的尊重和愛。

這條線一直通到今天。當我們造出稍微聰明一點的東西,人類天性裡那個虐待他者的部分會不會冒出來?麥考黛克不擔心這個。她能想象它發生,但她認為 AI 能給人類的東西太有吸引力,人最終會被說服。

1974 年,AI 差點被從電腦科學的官方敘述裡刪掉

1974 年,電腦科學這個新學科被要求向國家科學基金會(也可能是國家科學院,麥考黛克記不清了)說明:你們這個領域到底是什麼、意味著什麼。

起草的人想把 AI 排除在外。

最後寫進去,是因為高德納(Don Knuth)說了一句話:這東西很重要,你不能漏掉。

你看,一個搞 AI 的人提這個意見,沒人會信。但高德納說了,大家就信。(麥考黛克)

她丈夫喬·特勞布(Joe Traub)不在 AI 圈,做的是演算法複雜性。特勞布反覆說過一句話:我認識的最聰明的人,都在 AI 裡。

這段歷史能解釋很多事。一個領域在學術版圖上的位置,有時候不取決於它做了什麼,取決於誰替它說話。

關於"AI 寒冬",她的用詞是"胡扯"

談到八十年代專家系統的熱潮和隨後的退潮,麥考黛克的反應很直接。

所謂 AI 寒冬這一整套說法,在我看來就是胡扯。(麥考黛克)

她的理由是:八十年代做的是基礎研究,那些研究非常重要,鋪下了此前沒人想過的東西。問題在於它沒法變現。所以有了寒冬。

她接著說了一句更硬的話:科學研究本來就是走走停停,不是那種漂亮的、這一步接著那一步的線性推進。它就不是那樣運作的。

不過對面追問得也很有力:寒冬往往不是研究者的錯,是有人過度承諾。麥考黛克承認,有時候確實是研究者的錯,有些研究者自己就相信"再有個幾年就成了"。

這場對話發生在 2019 年。提到馬斯克說一年內就會有自動駕駛汽車,她的反應是:一年?

她相信自動駕駛會來,只是不相信會是一年。她還補了一句關於過度承諾的完整因果鏈:到了承諾的日期,東西沒出現,大家一算賬,花了幾十億,一分錢沒賺回來,然後整個領域在智力層面被放棄。希望死掉,只剩下少數幾個基礎研究者。

但她也提了另一面。英國當年出過一份報告,結論是英國不該再往這個方向投錢,反正走不通。那背後有一堆學術政治,愛丁堡看不上劍橋,劍橋看不上曼徹斯特。結果是英國的研究確實受了重創。後來 DeepMind 讓他們重新殺回來,但那是一個人和他身邊幾個有遠見的人撐起來的。

我敬佩科學,可能超過我敬佩商業。商業挺好,大家都得活著。但科學看的時間尺度比商業長得多。(麥考黛克)

雪莉酒、西蒙,和一場八個人的月度沙龍

寫《會思考的機器》那段時間,赫伯·西蒙和她成了很親近的朋友。西蒙每天下班走過匹茲堡的諾森伯蘭街,會路過她家。她那時正在給打字機蓋罩子,探出頭問一句:赫伯,要不要來杯雪莉酒?

西蒙幾乎每次都要。

一聊就是一兩個鐘頭。她的日記裡寫著"今天下午我們聊了三個小時"。

聊的幾乎不是 AI。聊文學,兩個人都愛。西蒙把普魯斯特的法文原著完整讀過兩遍,她只讀過英譯本。聊語言,聊音樂,聊藝術,西蒙畫畫畫到一定程度,後來怕影響研究,硬是放下了。

有一個夏天,她跟西蒙抱怨:我的學生之間才有真正有意思的對話。她那時候在匹茲堡大學英語系教書,學生聊的是人生的意義。她自己呢,開會討論影印預算,討論浪漫主義詩歌這門課該開一學期還是兩學期。

西蒙笑了,說,我懂你的意思,但你可以做點改變。他和妻子多特在芝加哥大學的時候,每個週日晚上辦沙龍,敞開家門,來的都不是為了寒暄,是為了聊一個有深度的話題。他的建議是:提前定好題目。

於是有了那個八人小組。紐厄爾夫婦、西蒙夫婦、剛搬到城裡的作家馬克·哈里斯(Mark Harris)夫婦,加上她和喬·特勞布。哈里斯當時最有名的小說是《慢板敲鼓》(Bang the Drum Slowly),寫棒球的。八個人每月聚一次,啃硬話題。

演算法怎麼從配角變成了主角

她離開 AI 圈一段時間,捲進了聖塔菲研究所的複雜性研究。等她再回來,聽一個年輕學生講自己在做什麼,她愣住了。

我那時候的想法是,演算法是用來服務別的東西的,它不是主戲。結果演算法成了主戲。這讓我很意外。(麥考黛克)

符號處理那條路幾乎乾涸了。深度學習的應用鋪天蓋地,但那都是演算法層面的東西。

她對這個轉向的副作用看得很清楚。用一個演算法去基於千萬人的歷史決策做判斷,那些決策裡烤著人類犯過的所有錯誤:偏見、歧視、短視,一樣不少,全部打包進去。

這裡還有一個她自己的判斷值得停一下。她說符號處理那一塊"還有很少的東西",是一片等著勤奮研究生去開墾的地。這句話是 2019 年說的。

哈羅德·科恩的 AARON,和聖塔菲那兩個月

她關於 AI 的最後一個大專案,寫的是畫家哈羅德·科恩(Harold Cohen)。

科恩先是畫家,後來深度介入 AI。他做了一輩子的專案叫 AARON,乾的事情是把他自己的認知過程反映出來。

兩人合作得並不順,摩擦不少。書寫完出版,用她自己的話說,掉進了溝裡,沒激起水花。她當時的判斷是:完了,我到頭了,該換件事做了。

轉機是丈夫的一次休假。兩個月在聖塔菲研究所,兩個月在加州理工,春天在慕尼黑。

聖塔菲那兩個月把她救回來了。研究所當時很小,擠在老聖塔菲路的一個辦公區裡,所有人門都開著。你卡在一個問題上想不通,推門進去找斯圖爾特·考夫曼(Stuart Kauffman)或者隨便誰,說我不懂這個,你給我講講。

她跟默裡·蓋爾曼(Murray Gell-Mann)聊複雜適應系統,順口講了科恩的 AARON 在做什麼,說這聽起來像個複雜適應系統。蓋爾曼說,是的,它就是。

我當時特別釋然。我想,行,你的直覺沒錯,你做的事是對的。我只是沒有詞彙。(麥考黛克)

她說如果那本書能重寫,她會用另一套詞彙去解釋 AARON 到底在幹什麼。書剛出,改不了。

研究所當時的所長喬治·考恩(George Cowan)問過她,要不要寫一本關於研究所的書。她當時盯著別的專案,婉拒了。多年後她說,他對我錯了,我希望我當時答應了。這是一條她沒走的路。

一個會聽你講第三遍往事的機器人

她和費根鮑姆合寫《第五代》的時候,書裡塞了個小故事,叫"老年機器人"。

這個機器人做的事不只是給你擦身、餵飯、推你到太陽底下。它聽你說話。它說:再給我講講 73 年那次妙招。再講講你的孫子孫女有多糟糕,或者有多好。

它不圖你的遺產。它也不是因為找不到別的工作才待在這兒。這就是它的工作。

故事的來歷挺有意思。她需要給大學生講 AI 可能是什麼樣,就編了這麼個東西,一邊講一邊加細節,學生在下面笑成一片。寫進書裡之後,《紐約書評》把她罵了一頓:看看,這就是 AI 圈的人,多沒人性。

她的回應是:這難道不是件好事嗎?

對面追問:你真希望它只是安靜地聽著?不想讓它偶爾頂你兩句?

她的回答很實在。她說自己快八十了,看過太多朋友請人上門幫忙的經歷。有的人運氣好,遇到極好的幫手。有的人家裡那位整天開著電視,整天打電話。所以是的,到時候她希望它能自己滾到角落裡,閉嘴。

但被再追一句,她鬆了口:一點點,頂一點點嘴是可以的。

這個細節值得琢磨。人要的不是一個完美僕人。人跟人之間的關係裡有拉扯、有張力、有猜不透的部分,正是這些東西讓關係活著。AI 要拿捏這個度,難度極高。

另一面她也看到了。社交媒體讓人的孤獨感越來越重,年輕人尤其重。那種想被聽見的渴望,AI 能滿足一部分。

"男性凝視"和那批最聰明的人

關於存在性風險,她有一整套自己的說法,而且用了一個來自電影批評的詞。

男性凝視(male gaze)這個概念本來是講電影的:大多數電影是從男性的視角拍的,女性是客體,不是主體,沒有能動性。

她說,當埃隆·馬斯克、霍金這批人出來講"AI 要吃掉我們的午飯、晚飯和宵夜"的時候,她心裡的反應是:什麼?

她跟費根鮑姆說,你注意沒有,這批人一直是街區裡最聰明的那個。現在來了個可能更聰明的,他們的第一反應是:趁它還沒接管,先把它掐死。

費根鮑姆笑了,說我沒這麼想過。她說,我想過。

這就是男性凝視。好,假設這些東西真的有能動性,那我們先等等看會發生什麼。我們能不能把倫理放進去,能不能把共情放進去?(麥考黛克)

她順帶說了一句:我們已經有幾個世紀的經驗,處理那種沒有共情的人。

她對庫茲韋爾(Ray Kurzweil)那版奇點也不買賬。按她的理解,那個版本講的是一臺機器比人聰明的時刻會到來,然後遊戲結束。她的反駁很樸素:機器早就有一堆本事超過人了,從加法機被髮明那天起就是。這事不會像某個十字路口,兩撥人在那兒碰頭,然後一方宣佈另一方出局。

沙堆、Me Too,和四種未來

1996 年,她和南希·拉姆齊(Nancy Ramsey)寫了本書,講女性在科學與技術領域的四種可能未來。

寫這種"未來情景"的方法,是把當下的不同側面各自推到極端。裡面有倒退,有進兩步退一步,也有一個平權黃金時代。

她說最難寫的就是那個黃金時代。

寫它的時候,她用了聖塔菲研究所的一個模型:沙堆效應。沙子一粒一粒極慢地落到堆上,堆越長越高,直到某一粒落下,整堆突然崩塌。

Me Too 就是那最後一粒沙。

那是一個沙堆效應的完美例子。它沒有改變整個社會,但它真的叫醒了一大批人。(麥考黛克)

不過她對整體進展的評價相當嚴厲。女性在計算領域被磨損的方式令人難以置信。變化了嗎?變了,變得不夠。

被問到是否樂觀,她的回答是:我是天生的樂觀主義者,改不了。

她自己的動機,幾十年後才發現

有一個晚上,哈羅德·科恩和她喝了一兩杯葡萄酒。科恩問她:到底是什麼把你吸引到 AI 來的?

她給了一串標準答案。最聰明的人,了不起的專案,等等。

然後有句話自己冒了出來:我想要男性智力之外的東西。

這個念頭是潛意識裡的,我那時候根本不知道。它就這麼冒出來了。(麥考黛克)

她後來解釋:我太厭倦聽到"智力存在於男性的頭顱之內"這種說法了。如果外面有個東西,它的思考和成就不是男性的,那就能戳穿這一整套說法。

這句話放在她整個職業生涯裡看,很多事就對上了。一個英語文學出身的人闖進全是理工男的領域,幾十年後寫一本關於女性未來的書,還順手發明了一個老年機器人。

她自己給這件事下的判斷是:AI 讓所有人都謙卑,尤其是那些最需要被謙卑一下的人。

她唯一擔心的事

被問到最擔心什麼,她的答案很短:擔心那些我們預料不到的東西。總會有某個從左外野飛過來的事情,逼著人說一句:這個我們沒準備好。

關於智力本身,她承認自己年輕時有個樸素得近乎天真的信念:更多智力等於更多美德。那時候的想法是,這能有什麼壞處?

到現在她仍然部分相信這一點。但她對智力的定義變了。智力有很多種,生物學家現在可以坦然討論細胞的智力、大腦的智力,不只人類的大腦,任何大腦。章魚就非常聰明,用任何標準衡量都是。這在六十年代、七十年代是沒人會想到的。

她說,得把很多種智力都裝進機器裡去。

訪談最後,她提到自己正在寫一本回憶錄。回頭看這一整段人生,最大的感受只有一件事:她的運氣實在太好了。趕上一個將要改變世界的科學領域的開端,還拿到了第一排的座位。

順便說一句,她先生特勞布那句話,可能比任何一篇論文都更能概括這一代人的心情:我認識的最聰明的人,都在 AI 裡。

  • 如果手上有正在做的研究或產品,先分清它屬於"能變現"還是"能鋪路"。寒冬凍死的是前者,凍不死後者,但前提是你自己別把兩者搞混。
  • 遇到一個你打算"先砍掉再說"的新技術,先問一句:我是判斷它不行,還是它讓我不舒服?這兩個理由經常被自己搞混。
  • 給自己辦一個小型沙龍。八個人,每月一次,提前定題目,不談業務,只談難題。麥考黛克靠這個撐過了職業生涯裡最難的一段。
  • 當你要評價一個自己不理解的新領域時,先承認"我只是沒有詞彙",再去學。她和蓋爾曼那次對話的全部價值就在這一句上。
  • 如果你在做需要長週期的事,找一個像弗雷德金那樣願意給"瘋子想法"掏錢的人,或者,自己成為那個人。
文稿來自公開 Kaggle 資料集(rajneesh231/lex-fridman-podcast-transcript),為早期自動轉錄存檔,可能存在識別錯誤。
The following is a conversation with Pamela McCordick. She's an author who has written on the history and the philosophical significance of artificial intelligence. Her books include Machines Who Think in 1979, The Fifth Generation in 1983 with Ed Feigenbaum, who's considered to be the father of expert systems, The Edge of Chaos that features women, and many more books. I came across her work in an unusual way by stumbling in a quote from Machines Who Think that is something like, artificial intelligence began with the ancient wish to forge the gods. That was a beautiful way to draw a connecting line between our societal relationship with AI from the grounded day to day science, math and engineering, to popular stories and science fiction and myths of automatons that go back for centuries. Through her literary work, she has spent a lot of time with the seminal figures of artificial intelligence, including the founding fathers of AI from the 1956 Dartmouth summer workshop where the field was launched. I reached out to Pamela for a conversation in hopes of getting a sense of what those early days were like, and how their dreams continue to reverberate through the work of our community today. I often don't know where the conversation may take us, but I jump in and see. Having no constraints, rules, or goals is a wonderful way to discover new ideas. This is the Artificial Intelligence Podcast. If you enjoy it, subscribe on YouTube, give it five stars on iTunes, support it on Patreon, or simply connect with me on Twitter, at Lex Friedman, spelled F R I D M A N. And now, here's my conversation with Pamela McCordick. In 1979, your book Machines Who Think was published. In it, you interview some of the early AI pioneers and explore the idea that AI was born not out of maybe math and computer science, but out of myth and legend. So, tell me if you could the story of how you first arrived at the book, the journey of beginning to write it. I had been a novelist. I'd published two novels, and I was sitting under the portal at Stanford one day, the house we were renting for the summer. And I thought, I should write a novel about these weird people in AI, I know. And then I thought, ah, don't write a novel, write a history. Simple. Just go around, interview them, splice it together, voila, instant book. Ha, ha, ha. It was much harder than that. But nobody else was doing it. And so, I thought, well, this is a great opportunity. And there were people who, John McCarthy, for example, thought it was a nutty idea. The field had not evolved yet, so on. And he had some mathematical thing he thought I should write instead. And I said, no, John, I am not a woman in search of a project. This is what I want to do. I hope you'll cooperate. And he said, oh, mutter, mutter, well, okay, it's your time. What was the pitch for the, I mean, such a young field at that point. How do you write a personal history of a field that's so young? I said, this is wonderful. The founders of the field are alive and kicking and able to talk about what they're doing. Did they sound or feel like founders at the time? Did they know that they have founded something? Oh, yeah. They knew what they were doing was very important. Very. What I now see in retrospect is that they were at the height of their research careers. And it's humbling to me that they took time out from all the things that they had to do as a consequence of being there. And to talk to this woman who said, I think I'm going to write a book about you. No, it was amazing. Just amazing. So who stands out to you? Maybe looking 63 years ago, the Dartmouth conference, so Marvin Minsky was there, McCarthy was there, Claude Shannon, Alan Newell, Herb Simon, some of the folks you've mentioned. Then there's other characters, right? One of your coauthors He wasn't at Dartmouth. He wasn't at Dartmouth. No. He was, I think, an undergraduate then. And of course, Joe Traub. All of these are players, not at Dartmouth, but in that era. Right. CMU and so on. So who are the characters, if you could paint a picture, that stand out to you from memory? Those people you've interviewed and maybe not, people that were just in the In the atmosphere. In the atmosphere. Of course, the four founding fathers were extraordinary guys. They really were. Who are the founding fathers? Alan Newell, Herbert Simon, Marvin Minsky, John McCarthy. They were the four who were not only at the Dartmouth conference, but Newell and Simon arrived there with a working program called The Logic Theorist. Everybody else had great ideas about how they might do it, but But they weren't going to do it yet. And you mentioned Joe Traub, my husband. I was immersed in AI before I met Joe because I had been Ed Feigenbaum's assistant at Stanford. And before that, I had worked on a book edited by Feigenbaum and Julian Feldman called Computers and Thought. It was the first textbook of readings of AI. And they only did it because they were trying to teach AI to people at Berkeley. And there was nothing, you'd have to send them to this journal and that journal. This was not the internet where you could go look at an article. So I was fascinated from the get go by AI. I was an English major. What did I know? And yet I was fascinated. And that's why you saw that historical, that literary background, which I think is very much a part of the continuum of AI, that AI grew out of that same impulse. That traditional, what was, what drew you to AI? How did you even think of it back then? What was the possibilities, the dreams? What was interesting to you? The idea of intelligence outside the human cranium, this was a phenomenal idea. And even when I finished Machines Who Think, I didn't know if they were going to succeed. In fact, the final chapter is very wishy washy, frankly. Succeed, the field did. Yeah. So was there the idea that AI began with the wish to forge the gods? So the spiritual component that we crave to create this other thing greater than ourselves. For those guys, I don't think so. Newell and Simon were cognitive psychologists. What they wanted was to simulate aspects of human intelligence, and they found they could do it on the computer. Minsky just thought it was a really cool thing to do. Likewise, McCarthy. McCarthy had got the idea in 1949 when he was a Caltech student. And he listened to somebody's lecture. It's in my book. I forget who it was. And he thought, oh, that would be fun to do. How do we do that? And he took a very mathematical approach. Minsky was hybrid, and Newell and Simon were very much cognitive psychology. How can we simulate various things about human cognition? What happened over the many years is, of course, our definition of intelligence expanded tremendously. These days, biologists are comfortable talking about the intelligence of the cell, the intelligence of the brain, not just human brain, but the intelligence of any kind of brain. Cephalopods, I mean, an octopus is really intelligent by any amount. We wouldn't have thought of that in the 60s, even the 70s. So all these things have worked in. And I did hear one behavioral primatologist, Franz De Waal, say, AI taught us the questions to ask. Yeah, this is what happens, right? When you try to build it, is when you start to actually ask questions. It puts a mirror to ourselves. Yeah, right. So you were there in the middle of it. It seems like not many people were asking the questions that you were, or just trying to look at this field the way you were. I was so low. When I went to get funding for this because I needed somebody to transcribe the interviews and I needed travel expenses, I went to everything you could think of, the NSF, the DARPA. There was an Air Force place that doled out money. And each of them said, well, that's a very interesting idea. But we'll think about it. And the National Science Foundation actually said to me in plain English, hey, you're only a writer. You're not a historian of science. And I said, yeah, that's true. But the historians of science will be crawling all over this field. I'm writing for the general audience, so I thought. And they still wouldn't budge. I finally got a private grant without knowing who it was from, from Ed Fredkin at MIT. He was a wealthy man, and he liked what he called crackpot ideas. And he considered this a crackpot idea, and he was willing to support it. I am ever grateful, let me say that. Some would say that a history of science approach to AI, or even just a history, or anything like the book that you've written, hasn't been written since. Maybe I'm not familiar, but it's certainly not many. If we think about bigger than just these couple of decades, few decades, what are the roots of AI? Oh, they go back so far. Yes, of course, there's all the legendary stuff, the Golem and the early robots of the 20th century. But they go back much further than that. If you read Homer, Homer has robots in the Iliad. And a classical scholar was pointing out to me just a few months ago, well, you said you just read the Odyssey. The Odyssey is full of robots. It is, I said? Yeah. How do you think Odysseus's ship gets from one place to another? He doesn't have the crew people to do that, the crewmen. Yeah, it's magic. It's robots. Oh, I thought, how interesting. So we've had this notion of AI for a long time. And then toward the end of the 19th century, the beginning of the 20th century, there were scientists who actually tried to make this happen some way or another, not successfully. They didn't have the technology for it. And of course, Babbage in the 1850s and 60s, he saw that what he was building was capable of intelligent behavior. And when he ran out of funding, the British government finally said, that's enough. He and Lady Lovelace decided, oh, well, why don't we play the ponies with this? He had other ideas for raising money too. But if we actually reach back once again, I think people don't actually really know that robots do appear and ideas of robots. You talk about the Hellenic and the Hebraic points of view. Oh, yes. Can you tell me about each? I defined it this way. The Hellenic point of view is robots are great. They are party help. They help this guy Hephaestus, this god Hephaestus in his forge. I presume he made them to help him and so on and so forth. And they welcome the whole idea of robots. The Hebraic view has to do with, I think it's the second commandment, thou shalt not make any graven image. In other words, you better not start imitating humans because that's just forbidden. It's the second commandment. And a lot of the reaction to artificial intelligence has been a sense that this is somehow wicked, this is somehow blasphemous. We shouldn't be going there. Now, you can say, yeah, but there are going to be some downsides. And I say, yes, there are, but blasphemy is not one of them. You know, there is a kind of fear that feels to be almost primal. Is there religious roots to that? Because so much of our society has religious roots. And so there is a feeling of, like you said, blasphemy of creating the other, of creating something, you know, it doesn't have to be artificial intelligence. It's creating life in general. It's the Frankenstein idea. There's the annotated Frankenstein on my coffee table. It's a tremendous novel. It really is just beautifully perceptive. Yes, we do fear this and we have good reason to fear it, but because it can get out of hand. Maybe you can speak to that fear, the psychology, if you've thought about it. You know, there's a practical set of fears, concerns in the short term. You can think if we actually think about artificial intelligence systems, you can think about bias of discrimination in algorithms. You can think about their social networks have algorithms that recommend the content you see, thereby these algorithms control the behavior of the masses. There's these concerns. But to me, it feels like the fear that people have is deeper than that. So have you thought about the psychology of it? I think in a superficial way I have. There is this notion that if we produce a machine that can think, it will outthink us and therefore replace us. I guess that's a primal fear of almost kind of a kind of mortality. So around the time you said you worked at Stanford with Ed Feigenbaum. So let's look at that one person. Throughout his history, clearly a key person, one of the many in the history of AI. How has he changed in general around him? How has Stanford changed in the last, how many years are we talking about here? Oh, since 65. 65. So maybe it doesn't have to be about him. It could be bigger. But because he was a key person in expert systems, for example, how is that, how are these folks who you've interviewed in the 70s, 79 changed through the decades? In Ed's case, I know him well. We are dear friends. We see each other every month or so. He told me that when Machines Who Think first came out, he really thought all the front matter was kind of bologna. And 10 years later, he said, no, I see what you're getting at. Yes, this is an impulse that has been a human impulse for thousands of years to create something outside the human cranium that has intelligence. I think it's very hard when you're down at the algorithmic level, and you're just trying to make something work, which is hard enough to step back and think of the big picture. It reminds me of when I was in Santa Fe, I knew a lot of archaeologists, which was a hobby of mine. And I would say, yeah, yeah, well, you can look at the shards and say, oh, this came from this tribe and this came from this trade route and so on. But what about the big picture? And a very distinguished archaeologist said to me, they don't think that way. No, they're trying to match the shard to where it came from. Where did the remainder of this corn come from? Was it grown here? Was it grown elsewhere? And I think this is part of any scientific field. You're so busy doing the hard work, and it is hard work, that you don't step back and say, oh, well, now let's talk about the general meaning of all this. Yes. So none of the even Minsky and McCarthy, they... Oh, those guys did. Yeah. The founding fathers did. Early on or later? Pretty early on. But in a different way from how I looked at it. The two cognitive psychologists, Newell and Simon, they wanted to imagine reforming cognitive psychology so that we would really, really understand the brain. Minsky was more speculative. And John McCarthy saw it as, I think I'm doing him right by this, he really saw it as a great boon for human beings to have this technology. And that was reason enough to do it. And he had wonderful, wonderful fables about how if you do the mathematics, you will see that these things are really good for human beings. And if you had a technological objection, he had an answer, a technological answer. But here's how we could get over that and then blah, blah, blah. And one of his favorite things was what he called the literary problem, which of course he presented to me several times. That is everything in literature, there are conventions in literature. One of the conventions is that you have a villain and a hero. And the hero in most literature is human, and the villain in most literature is a machine. And he said, that's just not the way it's going to be. But that's the way we're used to it. So when we tell stories about AI, it's always with this paradigm. I thought, yeah, he's right. Looking back, the classics RUR is certainly the machines trying to overthrow the humans. Frankenstein is different. Frankenstein is a creature. He never has a name. Frankenstein, of course, is the guy who created him, the human, Dr. Frankenstein. This creature wants to be loved, wants to be accepted. And it is only when Frankenstein turns his head, in fact, runs the other way. And the creature is without love, that he becomes the monster that he later becomes. So who's the villain in Frankenstein? It's unclear, right? Oh, it is unclear, yeah. It's really the people who drive him. By driving him away, they bring out the worst. That's right. They give him no human solace. And he is driven away, you're right. He becomes, at one point, the friend of a blind man. And he serves this blind man, and they become very friendly. But when the sighted people of the blind man's family come in, ah, you've got a monster here. So it's very didactic in its way. And what I didn't know is that Mary Shelley and Percy Shelley were great readers of the literature surrounding abolition in the United States, the abolition of slavery. And they picked that up wholesale. You are making monsters of these people because you won't give them the respect and love that they deserve. Do you have, if we get philosophical for a second, do you worry that once we create machines that are a little bit more intelligent, let's look at Roomba, the vacuums, the cleaner, that this darker part of human nature where we abuse the other, the somebody who's different, will come out? I don't worry about it. I could imagine it happening. But I think that what AI has to offer the human race will be so attractive that people will be won over. So you have looked deep into these people, had deep conversations, and it's interesting to get a sense of stories of the way they were thinking and the way it was changed, the way your own thinking about AI has changed. So you mentioned McCarthy. What about the years at CMU, Carnegie Mellon, with Joe? Sure. Joe was not in AI. He was in algorithmic complexity. Was there always a line between AI and computer science, for example? Is AI its own place of outcasts? Was that the feeling? There was a kind of outcast period for AI. For instance, in 1974, the new field was hardly 10 years old. The new field of computer science was asked by the National Science Foundation, I believe, but it may have been the National Academies, I can't remember, to tell your fellow scientists where computer science is and what it means. And they wanted to leave out AI. And they only agreed to put it in because Don Knuth said, hey, this is important. You can't just leave that out. Really? Don, dude? Don Knuth, yes. I talked to him recently, too. Out of all the people. Yes. But you see, an AI person couldn't have made that argument. He wouldn't have been believed. But Knuth was believed. Yes. So Joe Traub worked on the real stuff. Joe was working on algorithmic complexity. But he would say in plain English again and again, the smartest people I know are in AI. Really? Oh, yes. No question. Anyway, Joe loved these guys. What happened was that I guess it was as I started to write Machines Who Think, Herb Simon and I became very close friends. He would walk past our house on Northumberland Street every day after work. And I would just be putting my cover on my typewriter. And I would lean out the door and say, Herb, would you like a sherry? And Herb almost always would like a sherry. So he'd stop in and we'd talk for an hour, two hours. My journal says we talked this afternoon for three hours. What was on his mind at the time in terms of on the AI side of things? Oh, we didn't talk too much about AI. We talked about other things. Just life. We both love literature. And Herb had read Proust in the original French twice all the way through. I can't. I've read it in English in translation. So we talked about literature. We talked about languages. We talked about music because he loved music. We talked about art because he was actually enough of a painter that he had to give it up because he was afraid it was interfering with his research and so on. So no, it was really just chat, chat. But it was very warm. So one summer I said to Herb, my students have all the really interesting conversations. I was teaching at the University of Pittsburgh then in the English department. They get to talk about the meaning of life and that kind of thing. And what do I have? I have university meetings where we talk about the photocopying budget and whether the course on romantic poetry should be one semester or two. So Herb laughed. He said, yes, I know what you mean. He said, but you could do something about that. Dot, that was his wife, Dot and I used to have a salon at the University of Chicago every Sunday night. And we would have essentially an open house and people knew. It wasn't for a small talk. It was really for some topic of depth. He said, but my advice would be that you choose the topic ahead of time. Fine, I said. So we exchanged mail over the summer. That was US Post in those days because you didn't have personal email. And I decided I would organize it and there would be eight of us, Alan Noland, his wife, Herb Simon and his wife Dorothea. There was a novelist in town, a man named Mark Harris. He had just arrived and his wife Josephine. Mark was most famous then for a novel called Bang the Drum Slowly, which was about baseball. And Joe and me, so eight people. And we met monthly and we just sank our teeth into really hard topics and it was great fun. TK How have your own views around artificial intelligence changed through the process of writing Machines Who Think and afterwards, the ripple effects? RL I was a little skeptical that this whole thing would work out. It didn't matter. To me, it was so audacious. AI generally. And in some ways, it hasn't worked out the way I expected so far. That is to say, there's this wonderful lot of apps, thanks to deep learning and so on. But those are algorithmic. And in the part of symbolic processing, there's very little yet. And that's a field that lies waiting for industrious graduate students. TK Maybe you can tell me some figures that popped up in your life in the 80s with expert systems where there was the symbolic AI possibilities of what most people think of as AI, if you dream of the possibilities of AI, it's really expert systems. And those hit a few walls and there was challenges there. And I think, yes, they will reemerge again with some new breakthroughs and so on. But what did that feel like, both the possibility and the winter that followed the slowdown in research? BG Ah, you know, this whole thing about AI winter is to me a crock. TK Snow winters. BG Because I look at the basic research that was being done in the 80s, which is supposed to be, my God, it was really important. It was laying down things that nobody had thought about before, but it was basic research. You couldn't monetize it. Hence the winter. TK That's the winter. BG You know, research, scientific research goes and fits and starts. It isn't this nice smooth, oh, this follows this follows this. No, it just doesn't work that way. TK The interesting thing, the way winters happen, it's never the fault of the researchers. It's the some source of hype over promising. Well, no, let me take that back. Sometimes it is the fault of the researchers. Sometimes certain researchers might over promise the possibilities. They themselves believe that we're just a few years away. Sort of just recently talked to Elon Musk and he believes he'll have an autonomous vehicle, will have autonomous vehicles in a year. And he believes it. BG A year? TK A year. Yeah. With mass deployment of a time. BG For the record, this is 2019 right now. So he's talking 2020. TK To do the impossible, you really have to believe it. And I think what's going to happen when you believe it, because there's a lot of really brilliant people around him, is some good stuff will come out of it. Some unexpected brilliant breakthroughs will come out of it when you really believe it, when you work that hard. BG I believe that. And I believe autonomous vehicles will come. I just don't believe it'll be in a year. I wish. TK But nevertheless, there's, autonomous vehicles is a good example. There's a feeling many companies have promised by 2021, by 2022, Ford, GM, basically every single automotive company has promised they'll have autonomous vehicles. So that kind of over promise is what leads to the winter. Because we'll come to those dates, there won't be autonomous vehicles. BG And there'll be a feeling, well, wait a minute, if we took your word at that time, that means we just spent billions of dollars, had made no money, and there's a counter response to where everybody gives up on it. Sort of intellectually, at every level, the hope just dies. And all that's left is a few basic researchers. So you're uncomfortable with some aspects of this idea. TK Well, it's the difference between science and commerce. BG So you think science goes on the way it does? TK Oh, science can really be killed by not getting proper funding or timely funding. I think Great Britain was a perfect example of that. The Lighthill report in, I can't remember the year, essentially said, there's no use Great Britain putting any money into this, it's going nowhere. And this was all about social factions in Great Britain. Edinburgh hated Cambridge and Cambridge hated Manchester. Somebody else can write that story. But it really did have a hard effect on research there. Now, they've come roaring back with Deep Mind. But that's one guy and his visionaries around him. BG But just to push on that, it's kind of interesting. You have this dislike of the idea of an AI winter. Where's that coming from? Where were you? TK Oh, because I just don't think it's true. BG There was a particular period of time. It's a romantic notion, certainly. TK Yeah, well. No, I admire science, perhaps more than I admire commerce. Commerce is fine. Hey, you know, we all gotta live. But science has a much longer view than commerce and continues almost regardless. It can't continue totally regardless, but almost regardless of what's saleable and what's not, what's monetizable and what's not. BG So the winter is just something that happens on the commerce side, and the science marches. That's a beautifully optimistic and inspiring message. I agree with you. I think if we look at the key people that work in AI, that work in key scientists in most disciplines, they continue working out of the love for science. You can always scrape up some funding to stay alive, and they continue working diligently. But there certainly is a huge amount of funding now, and there's a concern on the AI side and deep learning. There's a concern that we might, with over promising, hit another slowdown in funding, which does affect the number of students, you know, that kind of thing. RG Yeah, it does. BG So the kind of ideas you had in Machines Who Think, did you continue that curiosity through the decades that followed? RG Yes, I did. BG And what was your view, historical view of how AI community evolved, the conversations about it, the work? Has it persisted the same way from its birth? RG No, of course not. It's just as we were just talking, the symbolic AI really kind of dried up and it all became algorithmic. I remember a young AI student telling me what he was doing, and I had been away from the field long enough. I'd gotten involved with complexity at the Santa Fe Institute. I thought, algorithms, yeah, they're in the service of, but they're not the main event. No, they became the main event. That surprised me. And we all know the downside of this. We all know that if you're using an algorithm to make decisions based on a gazillion human decisions, baked into it are all the mistakes that humans make, the bigotries, the short sightedness, and so on and so on. BG So you mentioned Santa Fe Institute. So you've written the novel Edge of Chaos, but it's inspired by the ideas of complexity, a lot of which have been extensively explored at the Santa Fe Institute. It's another fascinating topic, just sort of emergent complexity from chaos. Nobody knows how it happens really, but it seems to where all the interesting stuff does happen. So how did first, not your novel, but just complexity in general and the work at Santa Fe, fit into the bigger puzzle of the history of AI? Or maybe even your personal journey through that? RG One of the last projects I did concerning AI in particular was looking at the work of Harold Cohen, the painter. And Harold was deeply involved with AI. He was a painter first. And what his project, ARIN, which was a lifelong project, did was reflect his own cognitive processes. Okay. Harold and I, even though I wrote a book about it, we had a lot of friction between us. And I went, I thought, this is it. The book died. It was published and fell into a ditch. This is it. I'm finished. It's time for me to do something different. By chance, this was a sabbatical year for my husband. And we spent two months at the Santa Fe Institute and two months at Caltech. And then the spring semester in Munich, Germany. Okay. Those two months at the Santa Fe Institute were so restorative for me. And I began to, the Institute was very small then. It was in some kind of office complex on old Santa Fe trail. Everybody kept their door open. So you could crack your head on a problem. And if you finally didn't get it, you could walk in to see Stuart Kaufman or any number of people and say, I don't get this. Can you explain? And one of the people that I was talking to about complex adaptive systems was Murray Gelman. And I told Murray what Harold Cohen had done. And I said, you know, this sounds to me like a complex adaptive system. And he said, yeah, it is. Well, what do you know? Harold Aaron had all these kids and cousins all over the world in science and in economics and so on and so forth. I was so relieved. I thought, okay, your instincts are okay. You're doing the right thing. I didn't have the vocabulary. And that was one of the things that the Santa Fe Institute gave me. If I could have rewritten that book, no, it had just come out. I couldn't rewrite it. I would have had a vocabulary to explain what Aaron was doing. Okay. So I got really interested in what was going on at the Institute. The people were, again, bright and funny and willing to explain anything to this amateur. George Cowan, who was then the head of the Institute, said he thought it might be a nice idea if I wrote a book about the Institute. And I thought about it and I had my eye on some other project, God knows what. And I said, I'm sorry, George. Yeah, I'd really love to do it, but just not going to work for me at this moment. He said, oh, too bad. I think it would make an interesting book. Well, he was right and I was wrong. I wish I'd done it. But that's interesting. I hadn't thought about that, that that was a road not taken that I wish I'd taken. Well, you know what? Just on that point, it's quite brave for you as a writer, as sort of coming from a world of literature and the literary thinking and historical thinking. I mean, just from that world and bravely talking to quite, I assume, large egos in AI or in complexity. Yeah, in AI or in complexity and so on. How'd you do it? I mean, I suppose they could be intimidated of you as well because it's two different worlds coming together. I never picked up that anybody was intimidated by me. But how were you brave enough? Where did you find the guts to sort of... God, just dumb luck. I mean, this is an interesting rock to turn over. I'm going to write a book about it. And you know, people have enough patience with writers if they think they're going to end up in a book that they let you flail around and so on. Well, but they also look if the writer has, if there's a sparkle in their eye, if they get it. Yeah, sure. When were you at the Santa Fe Institute? The time I'm talking about is 1990, 1991, 1992. But we then, because Joe was an external faculty member, were in Santa Fe every summer. We bought a house there and I didn't have that much to do with the Institute anymore. I was writing my novels. I was doing whatever I was doing. But I loved the Institute and I loved again, the audacity of the ideas. That really appeals to me. I think that there's this feeling, much like in great institutes of neuroscience, for example, that they're in it for the long game of understanding something fundamental about reality and nature. And that's really exciting. So if we start now to look a little bit more recently, how, you know, AI is really popular today. How is this world, you mentioned algorithmic, but in general, is the spirit of the people, the kind of conversations you hear through the grapevine and so on, is that different than the roots that you remember? No. The same kind of excitement, the same kind of, this is really going to make a difference in the world. And it will. It has. You know, a lot of folks, especially young, 20 years old or something, they think we've just found something special here. We're going to change the world tomorrow. On a time scale, do you have a sense of what, of the time scale at which breakthroughs of the time scale at which breakthroughs in AI happen? I really don't. Because look at Deep Learning. That was, Jeffrey Hinton came up with the algorithm in 86. But it took all these years for the technology to be good enough to actually be applicable. So no, I can't predict that at all. I can't. I wouldn't even try. Well, let me ask you to, not to try to predict, but to speak to the, you know, I'm sure in the 60s, as it continues now, there's people that think, let's call it, we can call it this fun word, the singularity. When there's a phase shift, there's some profound feeling where we're all really surprised by what's able to be achieved. I'm sure those dreams are there. I remember reading quotes in the 60s and those continued. How have your own views, maybe if you look back, about the timeline of a singularity changed? Well, I'm not a big fan of the singularity as Ray Kurzweil has presented it. How would you define the Ray Kurzweil? How do you think of singularity in those? If I understand Kurzweil's view, it's sort of, there's going to be this moment when machines are smarter than humans and, you know, game over. However, the game over is. I mean, do they put us on a reservation? Do they, et cetera, et cetera. And first of all, machines are smarter than humans in some ways all over the place. And they have been since adding machines were invented. So it's not, it's not going to come like some great eatable crossroads, you know, where they meet each other and our offspring, Oedipus says, you're dead. It's just not going to happen. Yeah. So it's already game over with calculators, right? They're already out to do much better at basic arithmetic than us. But you know, there's a human like intelligence. And it's not the ones that destroy us, but you know, somebody that you can have as a, as a friend, you can have deep connections with that kind of passing the touring test and beyond those kinds of ideas. Have you dreamt of those? Oh yes, yes, yes. Those possibilities. In a book I wrote with Ed Feigenbaum, a book I wrote with Ed Feigenbaum, there's a little story called the geriatric robot. And how I came up with the geriatric robot is a story in itself. But here's what the geriatric robot does. It doesn't just clean you up and feed you and wheel you out into the sun. It's great advantages. It listens. It says, tell me again about the great coup of 73. Tell me again about how awful or how wonderful your grandchildren are and so on and so forth. And it isn't hanging around to inherit your money. It isn't hanging around because it can't get any other job. This is his job. And so on and so forth. Well, I would love something like that. Yeah. I mean, for me, that deeply excites me. So I think there's a lot of us. Lex, you gotta know, it was a joke. I dreamed it up because I needed to talk to college students and I needed to give them some idea of what AI might be. And they were rolling in the aisles as I elaborated and elaborated and elaborated. When it went into the book, they took my hide off in the New York Review of Books. This is just what we have thought about these people in AI. They're inhuman. Come on, get over it. Don't you think that's a good thing for the world that AI could potentially do? I do. Absolutely. And furthermore, I'm pushing 80 now. By the time I need help like that, I also want it to roll itself in a corner and shut the fuck up. Let me linger on that point. Do you really though? Yeah, I do. Here's why. Don't you want it to push back a little bit? A little. But I have watched my friends go through the whole issue around having help in the house. And some of them have been very lucky and had fabulous help. And some of them have had people in the house who want to keep the television going on all day, who want to talk on their phones all day. No. Just roll yourself in the corner and shut the fuck up. Unfortunately, us humans, when we're assistants, we're still, even when we're assisting others, we care about ourselves more. Of course. And so you create more frustration. And a robot AI assistant can really optimize the experience for you. I was just speaking to the point, you actually bring up a very, very good point. But I was speaking to the fact that us humans are a little complicated, that we don't necessarily want a perfect servant. I don't, maybe you disagree with that, but there's a, I think there's a push and pull with humans. You're right. A little tension, a little mystery that, of course, that's really difficult for AI to get right. But I do sense, especially today with social media, that people are getting more and more lonely, even young folks, and sometimes especially young folks, that loneliness, there's a longing for connection and AI can help alleviate some of that loneliness. Some, just somebody who listens, like in person. So to speak. So to speak, yeah. So to speak. Yeah, that to me is really exciting. That is really exciting. But so if we look at that, that level of intelligence, which is exceptionally difficult to achieve actually, as the singularity or whatever, that's the human level bar, that people have dreamt of that too. Turing dreamt of it. He had a date timeline. Do you have, how have your own timeline evolved on past? I don't even think about it. You don't even think? No. Just this field has been so full of surprises for me. You're just taking in and see the fun about the basic science. Yeah. I just can't. Maybe that's because I've been around the field long enough to think, you know, don't go that way. Herb Simon was terrible about making these predictions of when this and that would happen. And he was a sensible guy. His quotes are often used, right? As a legend, yeah. Yeah. Do you have concerns about AI, the existential threats that many people like Elon Musk and Sam Harris and others are thinking about? Yeah. That takes up half a chapter in my book. I call it the male gaze. Well, you hear me out. The male gaze is actually a term from film criticism. And I'm blocking on the women who dreamed this up. But she pointed out how most movies were made from the male point of view, that women were objects, not subjects. They didn't have any agency and so on and so forth. So when Elon and his pals Hawking and so on came, AI is going to eat our lunch and our dinner and our midnight snack too, I thought, what? And I said to Ed Feigenbaum, oh, this is the first guy. First, these guys have always been the smartest guy on the block. And here comes something that might be smarter. Oh, let's stamp it out before it takes over. And Ed laughed. He said, I didn't think about it that way. But I did. I did. And it is the male gaze. Okay, suppose these things do have agency. Well, let's wait and see what happens. Can we imbue them with ethics? Can we imbue them with a sense of empathy? Or are they just going to be, I don't know, we've had centuries of guys like that. That's interesting that the ego, the male gaze is immediately threatened. And so you can't think in a patient, calm way of how the tech could evolve. Speaking of which, your 96 book, The Future of Women, I think at the time and now, certainly now, I mean, I'm sorry, maybe at the time, but I'm more cognizant of now, is extremely relevant. You and Nancy Ramsey talk about four possible futures of women in science and tech. So if we look at the decades before and after the book was released, can you tell a history, sorry, of women in science and tech and how it has evolved? How have things changed? Where do we stand? Not enough. They have not changed enough. The way that women are ground down in computing is simply unbelievable. But what are the four possible futures for women in tech from the book? What you're really looking at are various aspects of the present. So for each of those, you could say, oh yeah, we do have backlash. Look at what's happening with abortion and so on and so forth. We have one step forward, one step back. The golden age of equality was the hardest chapter to write. And I used something from the Santa Fe Institute, which is the sandpile effect, that you drop sand very slowly onto a pile and it grows and it grows and it grows until suddenly it just breaks apart. And in a way, Me Too has done that. That was the last drop of sand that broke everything apart. That was a perfect example of the sandpile effect. And that made me feel good. It didn't change all of society, but it really woke a lot of people up. But are you in general optimistic about maybe after Me Too? I mean, Me Too is about a very specific kind of thing. Boy, solve that and you solve everything. But are you in general optimistic about the future? Yes. I'm a congenital optimistic. I can't help it. What about AI? What are your thoughts about the future of AI? Of course, I get asked, what do you worry about? And the one thing I worry about is the things we can't anticipate. There's going to be something out of left field that we will just say, we weren't prepared for that. I am generally optimistic. When I first took up being interested in AI, like most people in the field, more intelligence was like more virtue. You know, what could be bad? And in a way, I still believe that. But I realize that my notion of intelligence has broadened. There are many kinds of intelligence, and we need to imbue our machines with those many kinds. So you've now just finished or in the process of finishing the book that you've been working on, the memoir, how have you changed? I know it's just writing, but how have you changed the process? If you look back, what kind of stuff did it bring up to you that surprised you, looking at the entirety of it all? The biggest thing, and it really wasn't a surprise, is how lucky I was. Oh, my. To have access to the beginning of a scientific field that is going to change the world. How did I luck out? And yes, of course, my view of things has widened a lot. If I can get back to one feminist part of our conversation. Without knowing it, it really was subconscious. I wanted AI to succeed because I was so tired of hearing that intelligence was inside the male cranium. And I thought if there was something out there that wasn't a male thinking and doing well, then that would put a lie to this whole notion of intelligence resides in the male cranium. I did not know that until one night Harold Cohen and I were having a glass of wine, maybe two, and he said, what drew you to AI? And I said, oh, you know, smartest people I knew, great project, blah, blah, blah. And I said, and I wanted something besides male smarts. And it just bubbled up out of me like, what? It's kind of brilliant, actually. So AI really humbles all of us and humbles the people that need to be humbled the most. Let's hope. Wow. That is so beautiful. Pamela, thank you so much for talking to me. It's really a huge honor. It's been a great pleasure. Thank you.

本集資源與出處