第 384 期·中文精讀

馬修·麥康納:自由、真相、家庭、苦難與愛

Matthew McConaughey: Freedom, Truth, Family, Hardship, and Love

演員麥康納談成長中的自由與真相、家庭與苦難經歷,以及對愛與人生意義的思考。

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中文精讀由 AI 基於原始訪談改寫,非官方翻譯,可能存在偏差或錯誤;表述以原音訊與官方文稿為準。說明

馬修·麥康納(Matthew McConaughey)的父母離過兩次婚,結過三次婚。

他講起這件事的時候,語氣不像在描述一段失敗的婚姻,更像在講一段值得拿出來炫耀的愛情。

他說,他們家的規矩是:不管吵到多難看,只要你們還沒重新抱在一起,或者還沒承認你們是真的愛對方,就不許上床睡覺。哪怕那件破事一個字都沒解決。

愛最後會贏,真的是三比二贏的。(馬修·麥康納)

三比二,指的是那三次婚姻對兩次離婚。

他講父母吵架的場面毫不掩飾,動了手,見了血,刀都拿出來過,番茄醬灑了一地。他會說:然後他們在廚房地板上做愛。他說這很美,這浪漫到了極點。

聽到這裡大多數人會皺眉。他自己也知道。有人跟他說,這不健康,這不能叫愛。他的回應是:那正是愛真正待著的地方。它被反覆測試過,它有好幾次可以斷掉,可以徹底結束,可它從來沒有。

二零二三年六月,他坐在 Lex Fridman 的麥克風前,把這一整套關於愛、恐懼、死亡和自我欺騙的看法,一口氣講了出來。這場對話後來成了這檔播客裡最不像訪談的一期。

孩子知道你愛他,你就還站在盈餘那一側

麥康納從父母的婚姻裡提煉出的育兒結論,樸素到有點讓人意外。

他說,當父母的人最常遇到的處境是不知道該幹什麼。市面上有一千本書給你建議,一千個人告訴你怎麼做。但只要你孩子知道你是愛他的,你就還在盈餘那一側(in the black)。

這事沒有這個前提,怎麼弄都不成。有了這個前提,怎麼弄通常都成。

他沒有說父母當年是因為孩子多才硬撐下來的。他反而覺得父母那一代人想得更少:孩子嘛,沒事的,我們愛他們,等真出問題再說,現在先把我們倆之間的事了結了。

他自己和妻子 Camille 的關係完全是另一種形狀。他說他們的婚姻像一條河,有彎道,有支流,有激流。他母親會來挑事:怎麼這麼順?一切怎麼都這麼平滑?來來來,挑戰一下。

他母親需要的是海嘯,是直角,是能把人拍倒的浪。因為那是她表達親密的方式。

這段自我剖析說得挺坦白:他沒有承接父母那套激烈的關係模型,但他承認那是母親真實的需要。他不覺得那種關係病了,他只是不需要它。

一朵和世界一樣大的雲

麥康納講他一生中最重要的一段記憶,發生在幼兒園。

他站在街角,旁邊是聖菲利普學校的校長,他管他叫“市長先生”(Mister Mayor)。他抬頭看見天上一朵雲,問:市長先生,那朵雲和世界一樣大嗎?

校長停了一下,說:是的,馬修,它和世界一樣大。

一個小孩的腦子裡立刻開始了運算。既然那朵雲的邊緣他都看得見,那它一定離得非常遠,遠到不值得考慮。他記得去年全家從德州朗維尤開車去佛羅里達,開了十五個小時,那才多遠。他看得見的雲,如果和世界一樣大,那就更遠得離譜。

於是他做了一個決定:低頭。

把腦袋對著地面,只看眼前的東西,處理眼前的東西。天上的、太空的、夢裡的,全是仙塵(fairy dust),連想都不值得想,你永遠到不了。

他後來很多年都把這段記憶當作自己性格的源頭:自食其力,幹活的態度,盯住眼前那件事,一件一件來,一點一點往上爬。

真正的轉折在幾十年後。他第一次坐飛機,起飛三十秒就鑽進了雲裡。他當時心想,我們一定在以萬億英里的時速前進,因為那朵和世界一樣大的雲,我們已經到了。

再後來他想明白了:火車沒這麼快,雲沒那麼大,也沒那麼遠。市長先生當年跟他說了一個謊。

他說他很慶幸被那個謊騙了。

我慶幸他騙了我。(馬修·麥康納)

這個細節值得停一下。一個大人對孩子說“是的,那朵雲和世界一樣大”,從事實層面是錯的。但它給了那個孩子一個可以自己推理的座標系,讓他自己得出結論,讓他自己決定低頭做人。這個決定是錯的,但撐了他二十年。等到他自己坐上飛機,發現真相,這個錯誤就自動失效了。

很多年後的成年禮,就是這麼完成的。

夢想和務實之間不存在一道選擇題

Lex 問了一個很多人都會問的問題:做一個夢想家好,還是做一個務實的人好?

麥康納的回答是,這兩個東西的蜜糖在於它們的互惠。

他說人得有一個北極星,得有一個能往前看的東西。但所有人都知道,你如果一邊走路一邊盯著北極星,你會被腳下的東西絆倒。

他特別看不上的,是賀卡上那種話。Dream it, you can do it。他覺得這是半吊子的、糟糕透頂的建議。

你只做夢就完了?那個詞後面沒有句號。接下來,我們實際做什麼?(馬修·麥康納)

另一頭的人說“希望一文不值”。他也不認。希望是有價值的,那是夢。你只是不能停在那個詞上。

他認為真正的美,在兩者的張力裡跳舞。把夢想和務實看成一對矛盾,那才是真正出問題的地方。把它們分開來各自供養,務實那一頭至少還能讓你把事做成;只供養夢想那一頭,你就活在一個虛擬現實裡。

Lex 提了一個更尖銳的版本:有時候愛你的人會掐死你的夢。很多父母希望你安全、穩定、有個計劃,好讓一切都說得過去。夢對他們來說是一種威脅。

麥康納不認為這全是壓抑。他管這個叫“恰當的成年禮”(proper initiation)。

先學會擋人和擒抱,先學會幹活的紀律,先學交通規則,先學大家都在遵守的那套遊戲規則。這套東西不保證你安全,因為別人照樣闖紅燈,但你先得有它。

一個孩子想追一個表演的夢,在他的成長語境裡,這幾乎是另一種語言。他被教的是:進一家公司,一級一級往上爬,朝九晚五,做一份工作。

真正的轉折點在他開口說要去讀電影學院那天。他以為他爸會跳起來:你想幹什麼,小子?

結果他爸給了他這輩子最好的一句建議:別幹半吊子的事。然後說,去吧。

麥康納從這件事裡讀出了一層意思,他覺得這是所有做父母的人心裡最爽的一刻:孩子不是來請求你的許可去追一個夢,孩子是帶著完全的尊重來通知你。

我要做這件事,我尊重你,但我不需要你同意。(馬修·麥康納)

這時候當爹的會想:我做對了一些事。我給了他足夠紮實的基礎,讓他有膽子離巢。

少一點敬畏,多一點參與

他父親去世後,他做了一個夢,醒來時腦子裡剩下一句話:less impressed, more involved。

少一點敬畏,多一點參與。

這六個字他後來刻在了一棵樹上,在聖莫尼卡,刻了兩個小時。他到現在還記得那棵樹在哪。

先解釋一下“敬畏”在這裡是什麼意思。他說他非常看重感恩,但人不能只是“很高興我在這兒”。如果我今天跟你聊天,我心裡一直是仰視的,我就根本進不了這場對話。我會一直在猜,他下一個問題要問什麼?我大概知道他想聽什麼答案?我該給什麼反應?

那就不叫參與了,那叫隔著一層玻璃。

他父親在他心裡是高於法律、高於宗教的存在。他相信,如果自己真掉進糞坑裡,真到了需要的地步,他爸一定在,高於一切地把他的後背護住。

然後他爸走了,那個安全網消失了。

他意識到自己一直在裝成那個想成為的年輕人,而沒有真的把屁股押上去,沒有真的承擔風險,沒有真的長成他父親一直在教他長成的那個男人。

接下來這段描述很有畫面感:世界變平了。

市長先生那朵遠在天邊的雲,降下來變成了眼前的霧。他說,那就進霧裡去吧。

他對人和事的尊重反而更多了,但那種仰視的敬畏少了一部分。那部分敬畏一直在攔著他,讓他覺得自己不配得到某些東西,讓他不敢為自己爭取,不敢跟自己算賬。

那時候他剛在好萊塢起步,名聲開始往外冒。名氣也是天上的一朵雲。他說,那朵雲降到了視線高度。

他終於能正眼看它,說:這不是仙塵,別把它供成仙塵。別說什麼“不不不,我不可能,我永遠到不了”。正眼看它,帶著充分的尊重,但少一點敬畏。

與此同時,那些他曾經居高臨下對待的人和事,也升到了視線高度。

他的原話裡用了 condescending 和 patronizing 這兩個詞,說的是自己曾經怎麼輕慢別人、把別人的東西看成不配佔用他時間的垃圾。這些東西現在升上來,和那朵雲一起,全部變平了。

肩膀往後展,心提起來,下巴抬起來。他開始正眼看世界。他承認自己變得不那麼感傷了。他希望自己別滑到冷漠那一檔,但他知道自己確實不那麼感傷了。他也變得更有勇氣。

這個人生的確是活的,那就正眼看它,往前走,穿過它,承擔後果。(馬修·麥康納)

他把這個過程叫“醒酒”。身邊有人離開的時候,你會對每天那些客套的謊話、那些你給過太多意義、太多重視的破事,突然清醒過來。你會問自己:我在幹什麼?我為什麼要讓這件事把我情緒拽下去或者抬起來?它在更大的局裡根本不重要。

作為食物鏈的一部分死去,那是詩

Lex 問他怎麼看待死亡。

他說,不期待,但也不害怕。

他會去想,而且想出來的畫面是美的。當他作為食物鏈的一環離開,那是詩,是自然流動的一部分,你回到自然裡。

但他立刻劃了一道線。如果他是死於一次隨機的暴力,死於一場飛車槍擊,那就是另一回事。因為那會打斷一個他相信已經被寫好的故事。他說自己目前還沒有能力把那種死放進一個神聖的敘事裡。

所以他覺得那種死是醜陋的、噁心的。而它每天都在發生,發生在所有人身上。

這段話裡有種挺硬的東西。他沒有用“一切皆有安排”來把所有的死都抹平。他承認有一部分死是他理解不了的,而且他不打算假裝理解。承認這一點,比起強行賦予意義,反而更誠實。

我父親的手能治癒

Lex 問他:你想你父親嗎?

他說想。採訪前一天他還在想。他在弄一個劇本,做場景工作,腦子裡閃過一個念頭:拿給他看看。

然後他想起來,那裡沒人。

他不難過。他會說:他會喜歡這個的。

他補了一句區分:他媽媽是想站在舞臺上的那種人,他爸爸會是坐在第一排的那種人。所以給爸爸看東西更好玩。

他父親知道自己是個“角色”(character)。麥康納演過的很多人物,身上都有他父親介紹給他認識的那些人的影子。他父親會享受打磨一個劇本、聊一部電影的過程。

這也是為什麼他一直說自己喜歡《汙泥》(Mud)這部電影。因為他能想象父親作為一個十二歲的男孩走過來,摟住他肩膀說:小老弟,你看那部叫《汙泥》的片子,媽的,這是部好片,咱們去看。

他父親沒能看到他開始電影生涯。但他父親活到了他拍第一部電影《年少輕狂》(Dazed and Confused)的第五天。

他父親從來沒去過片場,他們也沒聊過這件事。但他活著,活著看到他兒子開始做一件不只是趕時髦的事,一件他會愛上的事。

麥康納說這裡面有種美。

兩天前的晚上,他和女兒聊天,一邊給女兒揉腳。他九十一歲的母親走進來,說:看看你,跟你爸一模一樣。

為什麼?因為他父親喜歡給人揉腳。揉他母親的腳,揉他和他哥哥所有女朋友的腳。當年那些女孩會提前到家裡來,因為她們知道自己會得到 Jim McConaughey 的一雙揉腳的手。然後他和哥哥們收拾好了出來,準備出門,發現女孩們一臉鬆弛地坐在那兒,走不了了。

這個故事講了幾十年。

我父親的手能治癒人。所以我身上帶著他。(馬修·麥康納)

父親走了以後,你才第一次敢回頭看

Lex 說了一句很重的話:失去父親這件事有個可怕的地方,你意識到這個世界從根上是隻有你自己的。

麥康納接住了,而且接的方向不一樣。他說,是啊,你是孤獨的。但失去那個安全網,同時也是一種解脫(deliverance)。

知道自己是孤獨的,知道沒有第二條第三條,只有一條,這件事本身是一種很棒的感覺。

他講了一個具體的生理變化:周邊視覺變好了。

以前他根本不用考慮過去,因為父親在那裡兜著。需要的時候,父親就是那口井。父親一走,他第一次有勇氣回頭看一眼,開始認真對待自己是怎麼走到這裡的、現在在做什麼、要往哪兒去。

他承認這裡有個他自己都警惕的傾向:他會非常快地滑向“在痛苦裡看到禮物”。失去父親之後大概兩週,那句話就來了:less impressed, more involved。

Lex 追問:看到痛苦裡的禮物,有竅門嗎?

他說沒有。他得管住自己,不讓自己用理智化把真實的感受和不舒服跳過去。

這套“趕緊起來往前走”的本事是他母親傳給他的。太有韌性了,拍拍灰就站起來走。但他現在知道,你得坐在那個感受裡,你得深地感受那個痛,正眼看它。只是別在裡面泡著。

我是被教育成跳過“深深感受”這一步、直接往前走的。那會讓你變成一個在同一樁罪上反覆犯罪的人。(馬修·麥康納)

因為你沒有冬天。你生活裡沒有一段向內看的時間,你不回頭看,你就是站起來繼續走,踩進同一堆東西里一百次,還覺得沒事。第一百零一次也不疼,說不定還覺得運氣好。

他那句“你得有一個冬天”,說得很好。生命需要一段什麼都不長的時間。

八成人的問題,是過去的一件事

麥康納前陣子做了一個叫《公路旅行》(Road Trip)的課程,配合他的書《綠燈》(Greenlights),還辦了一場線下活動。

幾十萬條留言湧進來。他說,看起來有八成的人,生活裡卡住他們的那件事,都發生在過去。那件事他們過不去,也擋住了他們去自己想去的地方。

他原本以為這個比例是四成。

然後他往下想了一層。來參加這種活動、買這種課的人,本身已經在做某種治療、某種自我發展了。他身邊有很多朋友在做每週甚至每天的心理治療,也有很多人在吃藥。

他說,對的藥給對的人、對的診斷,當然是必要的。但他要問的是:如果你今天、這個禮拜、這個月、這一年都過不去,甚至十年過去了你還卡在那兒,你還被那段記憶攥著,你成了它的受害者。你在做治療,你在做功課,你在吃藥。那這件事的價值在哪裡?

如果那件事在攔著你去你想去的地方,也許你就該徹底否認它他媽的發生過。一腳踹開它,踹到路沿外面去。我跟你完了。(馬修·麥康納)

這段話一定會被很多人罵。他自己也知道,所以他馬上做了區分。

他母親那種否認是一回事。燈明明亮著,她說沒亮。你說亮了,她說沒亮。你說都錄下來了,她說那錄影帶在撒謊。這是日常層面的自我欺騙,是 misdemeanor,輕罪。他母親九十一歲了,他說她在這件事上應該獲得赦免。

而父親去世之後發生的事,是另一回事。

他母親沒有否認丈夫死了。她翻篇了。她後來找到了人生第二段愛情,和 C.J. 在一起十九年。她給了孩子們一個半秒鐘的、帶著詢問的眼神:這樣可以嗎?孩子們說,可以。而且天上還有誰在為你高興?你爸。

麥康納在這裡問了一串問題。愛 C.J. 會讓你對父親的愛變少嗎?不會。找到一個新的舞伴,就意味著父親不是你的舞伴、不是你一生的愛嗎?不是。

所以他把這種能力也叫“否認”,但它否認的不是事實。它否認的是那個隱含的前提:一件事結束了,你就得永遠停在原地。

這兩種東西在他嘴裡共用一個詞,其實是兩件完全不同的事。一種是拒絕看見眼前的燈,一種是拒絕讓過去給自己判無期徒刑。他自己也清楚這裡容易滑,所以他反覆用母親和父親這兩個例子把邊界劃出來。

紅燈、黃燈、綠燈

《綠燈》這本書裡的核心比喻,簡單到一句話就能講完,但撐得起一整本書。

生活裡的紅燈是阻力,是懲罰,是攔下你的東西。黃燈是提醒,是警告。綠燈是順暢,是允許,是往前走。

紅燈和黃燈不會永遠亮著。它們會轉。你需要的不是撞穿紅燈,是熬到它變綠。而當你回頭看,你會發現當年那些攔住你的紅燈,最後都變成了把你送到某個地方的綠燈。

他在這期訪談里加了一層區分:綠燈分成“工程出來的”和“神秘的”。

工程出來的綠燈有原因(reason),神秘的綠燈有韻律(rhyme)。(馬修·麥康納)

原因和韻律,英文裡只差一個字母。他說,生活往前看是謎,往後看是科學。

工程出來的綠燈是可以準備的。一個運動員為一場比賽練身體,他為一部戲練身體。他讀,他學,他工作,他準備,然後他上場。他表現得當,他做完了,他回頭一看:對,就是這樣。

神秘的那種,你準備不了。它自己找上門。

這個區分有用,是因為它把“運氣”和“努力”這兩件經常被混為一談的事拆開了。你能做的是把工程性的那部分做到極致,然後等著韻律那部分發生。你沒法用努力換韻律,但你也別指望光靠韻律活一輩子。

這套東西到底能不能用

麥康納講的這些,聽起來都是常識。愛是 messy 的,你要盯著眼前,你要在痛苦裡找禮物,你要正眼看世界。這些話貼在朋友圈裡一點不新鮮。

真正稀有的地方在於,他每一句背後都掛著一個具體到帶血的事件。

廚房地板上的番茄醬和刀。街角那朵和世界一樣大的雲。聖莫尼卡那棵刻著六個單詞的樹。父親活到他第一部電影第五天。九十一歲的母親走進房間說“跟你爸一模一樣”。

他沒有在講道理。他在報賬。

這套東西真正扎人的地方,是他對“敬畏”和“否認”的處理。他兩次把兩個看起來完全對立的東西放在一張桌子上。

敬畏降低,參與才會發生。否認過去,未來才會發生。夢想和務實,互惠才成立。矛盾和悖論之間只隔一層窗戶紙,你自己承不承認它們本來就是一件事。

還有那句聽起來像在罵人的結論:如果那件事你處理了十年還沒處理完,也許你該把它踢到路沿外面去。

這話不講道理,但它可能真的救得了人。因為有一類痛苦,你越研究它,它越結實。你每一次回去覆盤,都是在給它續一次命。你以為你在治療,其實你在供養它。

當然,這只是他個人的觀察。他說那八成的時候,用的是“看起來”這個詞。他不是心理學家,他也沒做對照實驗。但這個觀察至少提供了一種可能:有些卡住不是因為你不夠努力,是因為你一直在錯誤的地方努力。

節目最後,他說了一句挺輕的話,但那句話的分量比前面所有的都重:生活向前是謎,往後看是科學。

意思是,你現在正卡著的這件事,你永遠算不出它意味著什麼。你只能往前走,等它變成過去,回頭的時候才會發現它是綠的那一段時間。

  • 找一件你處理了很久還沒處理完的事,問自己一個不客氣的問題:我是在治療它,還是在供養它?如果每次回想都會讓你更虛弱一點,而不是更清楚一點,那就該考慮換一種方式了。
  • 把你現在仰望的東西列一張單子,然後一個一個降到視線高度。名聲、某個前輩、某個圈子、某個你覺得自己配不上的機會。降到和你平視的位置,帶著尊重,別帶著供奉。
  • 給一個具體的目標寫下兩欄:一欄是工程的部分(能準備、能練、能學),一欄是韻律的部分(只能等)。把精力全押在第一欄,第二欄來了就接住,不來也別怨。
  • 下次你在痛苦裡想立刻站起來往前走的時候,先給自己留一個冬天。不用長,但要真的坐在裡面,不刷手機,不找理由,不急著說出“這讓我學到了什麼”。
  • 如果你有孩子,或者你帶人,少給建議,多確認一件事:他知不知道你是站在他這邊的。這一條成立了,其他都好說。這一條不成立,其他都白搭。
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Lex Fridman Podcast #384 – Matthew McConaughey: Freedom, Truth, Family, Hardship, and Love Machine transcription by Qwen3-ASR 0.6B (MLX, local, Apache-2.0). May contain recognition errors. The following is a conversation with Matthew McConaughey, a legendary Oscar winning actor and one of the most unique, charismatic and inspiring humans and Texans who walk this earth. He starred in films and shows loved by me and millions of others, including Interstellar, Days of Confused, Dallas Buyers Club, Killer Joe, Mud, True Detective, and soon spinoff of Yellowstone. Off screen, his words carry wisdom and power in his book called Green Lights and his new video course called Road Trip, where Matthew expands on the philosophy in his book and shows how to apply to your life in order to find more happiness, success, and love. And now a quick few second mention of each sponsor. Check them out in the description. It's the best way to support this podcast. We got Riverside FM for the best remote video recording platform, MasterClass for learning and AG1 for my daily multivitamin. She's wisely my friends. Also, if you want to work on our amazing team, we're always hiring. Good to lexfreeman dot com slash hiring. And now onto the full ad reads. As always, no ads in the middle. I try to make this interesting, but if you must skip them, friends, please still check out the sponsors. I enjoy their stuff. Maybe you will too. This episode is brought to you by I think a new sponsor, but I've been using them for so long and loving them for so long. I can't sing them enough praises. It's Riverside FM, the platform that makes it easy for podcasters and media companies to record remotely in studio quality. I am a big time sucker, you could say, for in person conversations, but that's not always possible. I've recorded the conversation with Nome Chomsky the second time we talked remotely, and there I used Riverside FM. It just makes it so easy. It does the double ended recording for you, which is the the audio and the video in highest quality because you know my connection with Nome Chomsky was horrible. The internet, there is something wrong on both of our internets. It just did not want to cooperate. And still, the final result captured the quality of my camera and the quality of Nome Chomsky's camera perfectly. That's the whole point of this kind of technology, just incredibly easy to use. You know, you don't have to give instructions to the other person on a bunch of things to click on and all this kind of complexity that you would have to do to have a double ended recording using audio recording software, which is I think how people used to do it. This is all in browser. It just works effortlessly, works nicely. It just works. The final thing looks good. If you are doing a podcast, if you are doing any kind of remote recording, Riverside FM is what you should be using it. I record my remote interviews with Riverside. Give it a try at Riverside FM and use code Lex for thirty percent off. That's Riverside FM and use code Lex. The links in the description below. This show is also brought to you by MasterClass one hundred and eighty dollars a year gets you an all access pass to watch courses from the best people in the world in their respective disciplines. We'll write Carlos Santana. Carlos Santana's Europa. I mean, it's an instrumental guitar piece. Just it's smooth. It's so beautiful. It almost makes me want to play Gibson. I am a I am a fender Strat guy. I probably should learn to play Europa at some point. It's one of those pieces, kind of like Voodoo Child by Jimi Hendrix, where you can just play it forever. Anyway, you can learn from all these people: Carlos Santana in the music realm. Marcos Cési, probably one of if not my favorite director. I mean, it's just Jane Goodall, everything just goes on and on and on and on and on. Chris Hadfield. If you want to learn about a thing, learn from the people that do that thing better than almost anybody else in the world. Get unlimited access to every MasterClass and get fifteen percent off an annual membership at MasterClass dot com slash lex. This show is also brought to you by MasterClass one hundred and eighty dollars a year gets you an all access pass to watch courses from the best people in the world in their respective disciplines. We'll write Carlos Santana. Carlos Santana's Europa. I mean, it's an instrumental guitar piece. Just it's smooth. It's so beautiful. It almost makes me want to play Gibson. I am a I am a fender Strat guy. I probably should learn to play Europa at some point. It's one of those pieces, kind of like Voodoo Child by Jimi Hendrix, where you can just play it forever. Anyway, you can learn from all these people: Carlos Santana in the music realm. Marcos Cési, probably one of if not my favorite director. I mean, it's just Jane Goodall, everything just goes on and on and on and on and on. Chris Hadfield. If you want to learn about a thing, learn from the people that do that thing better than almost anybody else in the world. Get unlimited access to every MasterClass and get fifteen percent off an annual membership at MasterClass dot com slash lex. This show is also brought to you by our old friend Athleta Greens and his AG1 drink, which is an all in one daily drink to support better health and peak performance. And the drink I just drank, and it was delicious. I drink it twice a day usually. I mix it up, put it in the fridge. It's nice and cold, and I just escape in the cold deliciousness. And the meditative reminder that I am rejuvenating my mind and body. I just sit down on the couch for a minute. And reflect on my past, my present, and my future, and just let the gratitude for how beautiful this life is. Take over. I think they've changed their name officially to AG1, so you should go check them out and they'll give you a free one year supply of vitamin D and five free travel packs with your first purchase when you go to drink AG1 dot com slash lex. This is the Lex Friedman podcast to support it. Please check out our sponsors in the description. And now, dear friends, here is Matthew McConaughey. Let's start with love. Your parents had a complicated love story, divorced twice, married three times. What have you learned about love from your mom and dad and their love story? That it's messy. That it takes work. That it's ugly. That. No matter how ugly or messy it is, don't go to bed until you've come back together to either embrace or admit that you truly love each other, even if you hadn't solved what the hell you are bitching about. That love will win in the end, literally three to two. With my mom and dad. Yeah. Um. And that even in the two divorces and in the two times where they couldn't live with each other, they still loved each other. They just couldn't. Live with each other at that time for whatever reason they needed, and I don't know the details if they needed their. Space freedom or what, but they were never out of love. With each other. Um. And that. As a parent, if you just when when we're not sure what to do. And people give you a thousand books and advice. As a parent, if your kid knows you love them, you are in the black. That's the main thing. It won't work without that. Um and it can work and will usually can work with that. They just know that fact. So it's not just love for each other. It's the love for the bigger family. That ultimately helps you persist through the ups and downs. Well, I mean, I don't know how much particularly my mom and dad were. Staying together at times, maybe when they did want to because they had children. I don't actually think they considered that. I think they were much less conscientious than say. I am today. I think my mom and dad were more like. They'll be fine. We love them. They'll be fine, but we'll we'll cross that bridge when we get there. Right now they would let's work it out between you and I is what I think my mom and dad were saying to each other or or not they um. They they wanted a needed relationship that was a tidal wave, rocky, right angles, tunnamies. And to this day, in in my life with Camille and I, which I don't I like a river has some swerves and some some streams and some rapids, but I am not looking for tidal wave. My mom's like. What's what's all this? Everything's so smooth stuff. Come on, come on, come on, come on. So she challenges. Like vitality because that's what my mom needed to communicate. I don't think my dad needed it as much. Of that the the the the the hard angles that their relationship during I think my dad needed as much as my mom. But the clashes demonstrated the passion that underlies the love. Yes, and that's I've I've always been asked you know when I talk about my parents' love relationship I tell the stories. That are actually sometimes quite violent. And there is some good stories there. They're beautiful. I think they're beautiful. Yeah, I think they're beautiful too. But I've had people go, wait a minute, that was unhealthy. You can't. And I was like, no, that's again back to the beginning. Love's messy, and that what I love about those stories is. That's where the love was actually. It was tested, and it it could have broke and been over. Yeah, and it never was again. The love won in the kitchen floor, bloods drawn. Knifes are pulled, catch ups all over. But we make love on the kitchen floor and yeah, I mean come on, beautiful. So as romantic as it gets right there. What's the memory from childhood that helped set you on the trajectory of becoming the man you are today? Standing on the corner with Mister Mayor, the principal of Saint Philip's School. I was in kindergarten. I looked up and there was a cloud in the sky. And I said, "Mister Mayor, is that cloud as big as the world?" And he paused for a minute, and he goes, "Well, yes, it is Matthew." Now in my seven year old mind, I went, okay, I can see the outlines of it. And that must mean it is so far away because if that's as big as the world, I remember it took fifteen hours just to drive from from Longview to Florida. Last year, you know, and I can't even see that far. So that cloud must be so far off that it's not worth me even considering. Space, dreams, any that I was like army. I am looking down. I am going to put my head to the ground. I am going to look right in front of me and deal with what's in front of me because dealing with. Dreams and what's out there and not on this earth that gravity holds down not worth considering you never make it it's not even worth imagining it's it's fairy dust. So I think I got learned a lot of self reliance. From that, I think I got a work ethic from that. I think I got a, hey focus on what's right in front of you. Do the deed, take care of what's in front of you one at a time and slowly notch up your way and hopefully there is some ascension to that. And it wasn't until quite years later, in some ways decades later, that I started to go. Oh, I can project. I can dream. Why? Because literally the first time I got in a plane and in thirty seconds I was in a cloud. I am like, whoa, we must be going a trillion miles an hour because we're already in that cloud that was as big as the world that I saw the edge of. And then I grew learned enough to go well that's not true. Trains don't go that fast. Oh, what Mister Mayor said wasn't really true. That cloud is not as big as the world and it's not near as far away as I thought. But I am glad he lied to me. What do you think about that that tension of a way of living life between being a dreamer and a pragmatist? Yeah, which is a better way. The honey holds the the reciprocity of the two of them. I mean, I can't be present unless I got plans. I want to I want to have the big picture in mind, but I got to go day to time. I like to write the headline or have a I think we need to have a North Star. Something look forward to, but we all know that if we're staring at it, we're tripping on the way. If we're just you know the old you read the hallmark cards which I. Irk me, you know, dream it you can do it. I think that's a half-assed horrible thing to tell somebody. Yeah, you know because um and you talk and then on the other side you have things like you know people say hope means nothing. Well, yes, it does. That's the dream. You just don't stop there. There is not a period after that word. Now what do we do practically? And I think that constant tension when that tension to dance is when it's beautiful. But to see those as contradictions, I think is where we've we've fallen short. So I don't. I want on their own if we silo the two. Oh, if you silo the two, I guess the the pragmatics the one to go with because at least you get something done. But if you only silo the dream and don't do anything about it, that's you are kind of living an illusion and kind of living in a virtual reality. Yeah, it's tricky. Even the people you love can sometimes suffocate the dream. Can make you believe that it's not possible. It feels like a lot of parents kind of want you to be safe, want you to be stable, want you to have a plan so that everything's going to be okay. Yeah, and the dream feels like a threat to that. Yeah, how much of that though I wonder is is proper initiation? Because if you throw in dreams out, I call it conservative very liberal late. Let's learn to block and tackle. Let's learn that work ethic. Those things, those pragmatics first. Learn the rules of the road, the rules of the game, the things that we can all kind of rely on. This is how the world supposed to work. Now it doesn't always work that way. You know you teach a teach a child to drive. It's like yeah, you stay in the lane, you go the speed limit. That's all helpful, but that doesn't guarantee that no one else is running the red light. But you learn that later. Um. There is an initiation I think that's proper. With the dream, I mean you I think parents. My parents very much that way. The idea of going to chase an acting career or something was what. It was it was that was a different vernacular that was like not an R. I was taught to work away up a company ladder and nine to five do a job. But the day I brought it up and said I wanted to go to film school, and I thought my dad was going to go. You want to do what boy? He was like, gave me something best advice ever and told me not to half-ass it and said go. In between the lines, what he heard from me was that made him so happy as a father. I believe and makes any parent happy. Is when our child doesn't ask us permission to go chase a dream. Oh yeah, when they're going, I am bringing it up to you with full respect. Yeah, but I am doing this with her without you. That's when a parent goes, oh yes. I've done something right enough. I made I helped my child be secure enough in the pragmatics to have a foundation enough where they have the courage to go. I am flying the nest to take the leap. You wrote after my dad died, I had a dream that left me with a statement less impressed, more involved. Yeah, what do those words mean to you? We got to be more than just happy to be here. I am big on gratitude, but we got to be more than just thankful to be here. Dream it you can do it. It's got to be more than just dream it you can do it. That's impressed. The dream is still other than if I am here and so impressed. With talking to you today, if I have a reverence to an extent, I will not be able to be involved in this conversation. I'll be too impressed. I'll be anticipating. Oh, what's that question he's gonna he's gonna he's gonna ask? Oh, I think I know he's going this. Oh, I think I know what answer he might love to hear. Oh, I am not involved in conversation. I am too impressed, so I am removed from the present. Um, for me, what that literally meant to me when that came to me in a dream and I carved it in. I remember carved it in a tree. It took a couple hours. I still wonder. I still know where that tree is Santa Monica. It was a um, my father had moved on. He'd left this life. All of a sudden, it hit me. Oh, I don't have the safety net. My dad was above law and above religion to me. He had me. If I really, if I really was in the shit, if I really needed him, I trusted that he had my back above law, above anything. All of a sudden, he's gone. I am going okay. It hit me how much I've been pretending to be the young man. I was trying to be and not actually put my ass on the line and have enough courage to take risk and actually own up to the man that he was trying to that he was teaching me to be. And I remember. The world got flat. That cloud that Mister Mayor that I saw there was not way up there. It was. It was fog in front of me now, and let's go into it. It was, I kept. I'd say I probably gained even more respect. For people and things, but I lost a certain amount of reverence. That was keeping me from feeling like I deserved or earned things or or looking out for myself. Or holding myself to task. Um. And I remember all the things that I and I was just getting going in Hollywood at the time so I was getting fame was out there. As one of those clouds, you know with being an actor and all of a sudden celebrity and becoming famous. The reverence I had. I remember it just, it lowered down to eye level. And I was able to realize it and go that's not a that's not fairy dust and don't give it so much credit to make it fairy dust. Like oh not me no I could never no look that in the eye with full respect but less reverence and at the same time equidistant almost equal sublimation I noticed where I had been. Condescending people and things and patronizing and and sluffing things off as like less than me and not worthy of my time it. Raised up to eye level and so they were all flat in front of me and the world was flat and I was able to shoulders went back my heart rose up my chin lifted up I looked the world looked things in the eye I became probably less sentimental. Hopefully not to level that I got callous but I know I became less sentimental. Um, I became more courageous because. You know when you have someone pass in your life, or maybe it's similar to a situation you are going on in your own life with your homeland. You, you sober up. On these mendacities that we deal with every day and this this this bullshit that we that we that we we give too much credit or too much significance to and you are like what am I what am I doing? Why am I I am not even let myself emotionally get brought down or overeleted by this situation because I am. This is it doesn't really matter in the big scheme, and so we certain things that I found reverence for and hesitated from in my life. I was now engaging with because I was like oh it's live this life is live let's look in the eye and and go forward through it and deal with the consequences. What do you make of death? The scary. I am not looking forward to it, but it does not scare me. Do you think about it? Do you visualize it? I do. I do, and it's a beautiful visualization and a beautiful dream when I go as part of the food chain. It's not a good visualization when I go as part of a random act of violence in a freaking drive by or something because. The second the the accident. It it it it breaks a story that I believe is already been written. At least I don't have the capacity yet to to to put it into a a story a divine story. Of the lives that we we live, and so there is something ugly and gross about it. And it happens all all the time, you know to to people all the time. I just feel like when it's part of the food chain. When I go as part of the food chain, I am like ah that's poetry. Part of the flow of nature, you return to nature. Yeah, there is grace and poetry in that. Do you miss your father? Think about him. When I think about him, I do. Now when do I think about him? Thought about him yesterday, working through a script I am working on right now, working on scene work. And I just had that quick little reaction of wanting to show him. Hey, check the scene. I tried it not there and then I. I don't get sad. I go, he would have loved, he would have loved this. Whereas my mom wants to be on the stage, my dad would have been on the front row. He's more fun to show stuff too. Yeah and he would have and you know as as what he would we would have he knew he was a character he knew characters I've based. Parts of all kinds of characters I've played in the in the man that that I am on people that he introduced. Me too and who he was, he would have loved the creative process of working on a script or talking about hey movie. It's why I always say I love the movie Mud. Because it's the one that I I visualized and seen my dad come to me so many times as a twelve year old and put his arm around me go hey little buddy you see in this movie called Mud damn it it's a good one let's go watch it. That now my dad was never got to see me start a career in film but he was alive five days. Into the over he overlapped the first five days of me working on my first film days confused now that I think there is something beautiful. About that he didn't never ever come to the set. We didn't talk about it, but he was alive. For me to start something that was more than a more than a fad that was something that I would become something that I love to do. And I do miss, not him, you know and then I go out of that do I I I we talked about him two nights ago. With our with our daughter I was I was rubbing my daughter's feet. And my mom who's living with us ninety one comes in and goes oh look at you just like your pop. He's like what and he goes oh because my dad loved to rub somebody's feet rub my mom's feet rubbed all of me and my brother's girlfriend's feet. When we would have a date yeah. They would come over early because they knew they were going to get a foot rub from Jim McConaughey and then we'd come out me and my older brothers on this has been on for decades we come out of shot ready to go buttoned up and they looked I am like we ain't going anywhere right now. And so we told the story you know to my to my daughter and I was like oh yeah my dad's his hands to miss his hands his hands could heal so you carry him in you. I hope so. I I hope so and and. It's a a challenge. For me and I suppose it's like this for any. Son, how much do we hang on to, and how much do we let go and evolve and update the OS and and and and and and try maybe better or different. You know, it's that there is certain things that I know that I fully believe in. It's like when do we religious when do we cast away our father. You know when do we say no I am going after the dream I am not asking your permission. I I I. I question that from time to time for myself because I and it almost feels blasphemic if that's a word sometimes I feel like you can't what are you doing you can't check that and go like well no I am not sure if I want it really. And then I immediately kind of let myself off because I believe where he is he's going. Go, but you are free, man. You know I am not not I am not going to hold you back if you misread that or I didn't teach you that as well as maybe I wish I could have go you are free. You are not going to lose trust that you are not going to lose it's in your DNA it's in your lineage young man. Still it's scary to not have a safety net losing your father is scary in that way you realize this world is just you in some deep fundamental way it's just you. Yeah you are alone. Yes. But ah I mean also not having that. It's such a gift of deliverance though. As well, because it's I think it's I mean, it's an awesome feeling to know. To know we're alone, to know we don't have that to know you don't have take two. Or take three, that it's one take. I mean the peripheral vision improves. You know the the the the the link and understanding with our past improves because I know for me I was not ever considered of my past at all because that my dad had that. If I needed it, he was my well for that. He's gone you know like said he had the literally had they have our back. Well then when they long or have our back all of a sudden I am going like oh well maybe I need to look back and start giving some credit to how I got here. What I am doing and where I am heading it gave me the first time courage to even look over my shoulder. Because again I didn't have to because I don't have to look dad's got my back. No dad's gone from this life he doesn't have your back. Okay, so I mean I don't know me because it's inevitable I. I very quickly go to. All right in the in the pain the loss and yes, even lone loneliness which is different from being alone. And loss, pretty immediately part and parcel with the pain I felt it. In the pain you saw the gift the the red light of losing your, a losing your father pretty immediately less impressed more involved I came like. Couple weeks after moving on. Is there a trick to that to see the gift in the pain? That's a good question. Is there a trick to it? Not that I know of. I mean I don't I have to I I have to catch myself from. Trying to intellectualize my way into the reasoning. And not skip over real feelings and discomfort. I mean I I did get that from my mom and I have to watch it that that so resilient that we just dusted herself off and get up and go. You want to sit in the feeling you want to feel it you want to deeply feel the pain I want to I want to deeply feel it I want to look at the eye and deeply feel it. But I don't want to wallow in it. Yeah. Um now I was raised where you skip the deeply feel and let's go. And I've said it before but that will lead to having. Turn into a person who is a repeat offender of the same crimes because you you just get up and you don't. You don't have a winter in your life. You know what I mean. You don't have you. There is no introspective time. You don't look over your shoulder in the end of the past and so you just get up and you are like. All right, I've stepped in the same pile of whatever a hundred times and I am fine. I'll do it one hundred first doesn't hurt hell it's good luck. Well hang on a minute maybe want to stop and go what can I learn from that. But it it it I don't know of a trick. I think I think that I think that I think there is any trick I would say. It's just it how quickly can we admit the inevitable. I want to talk about in the book of back. Once you once you know it's inevitable, how do we get relative? Not skip it, not throw it to the side, not deny it, which I'd love to talk about that here sometimes too about the value of denial sometimes. The value of denial. Yeah. Um but how quickly do we do we? Once something's inevitable, go okay. Any mind and heart time I am spending about going no I can't believe that happened no did that really happen. Any time we spend trying to deny that what has already happened that seems to me to be I am not sure the value of that time. So if any there is any trick I would say once you know something's inevitable even though how painful it is or how awesome it is. Start getting relative with that and then the relativity is seeing. There is a gift here and if I realize that gift I am honoring now I am on to building up. The beautiful passage of my father leaving this life now I am on the march to go. Yes, let's let the legacy let this become omnipresent. Let him live through me. Let me become more him that. It's transformed. Yeah, so what value is there then to denial? Any, oh I think there is value to denial if you really commit to it. I get this from my mother. Yeah, so it's a very pragmatic value commit to the denial. Okay, and and and and and and my mom does it to an extent that that that that I am like. Mom, do you have any consideration or context of situations? And she does this is the thing every time I go she's not a shallow woman. But if it is not if it is something if it is something happens. In her life that is keeping her from going where she wants to go or having a a joy. In her life that she does, she'll straight ass deny it happened didn't happen. No, did mom? We're right here. I heard you. Yeah, what you said. No, didn't you heard something else, mom? Now that she gets some amnesty on that she's ninety one. Hell yes, she gets some amnesty on that. Um, but I've she's not. Yeah, does she repeat offend? Yeah, but it's it's misdemeanors. You know what I mean? I mean it's like we all it's part of that thing when you got a family member you are like yeah that's just what they do just go with it you know and and and it's and it's. It's ingenious in a way. It's a tool. She does I think it is more of a trick with her but she would so ingrained her it's not a trick. It just do it done. And and and I and I another reason I bring this up it's outside of just my mother is. I did this road trip course in this art of living event a few weeks ago. Out of, hundreds of thousands of chats that came in and responses that came in afterward. It seemed to me that about eighty percent of people's challenges. And problems even in their life were something in the past that they were hung up on. That they could not seem to get past and it was it was holding them from going where they wanted to in their future and so. I thought that was revealing. I would have thought I would have thought that was I don't know going in forty percent it was it seemed to be eighty percent. And then I thought about okay. If you are here in the live show and you want to get the course, you are into some sort of therapy or education or development or self help whatever okay. And I have a lot of friends and I know a lot of people that are in weekly and daily therapy. And then I know a lot of people that are on prescriptions. Drugs and while a therapy and the right prescription to the right person for the right diagnosis is is necessary I am questioning. Is there value to going if you are not getting past this today this week this month this year almost in a decade goes by and you are still hung up and you can't get rid of that thing in your memory where. And you it's got you paralyzed and you are you are a victim of it. Is there and you are doing the therapy and you are doing the work and you are taking a prescription if that's what you are taking. Where does there is there value in going? If it's holding you back from going where you want to go, maybe you should just deny the fucking thing ever fucking happened. Kick it in the head, kick it off the curb. I am done with you. I am sick of you. I am tired of hanging out with you. I am tired of that thing, whatever it is, holding me back from going where I want to go. So if I if I can't wax the car. You know and and and and get past this thing, kick it. That's so powerful. So one thing to do like with the loss of your father is to try to transform it or discover the gift in it. The gift in the pain, but if you can't keep looking, keep looking, you can't find the gift in the pain. Just deny it ever happened. You could call that a trick, but I think it's more than a trick because let me say this. My mom, after my father died, went on and found a second love of her life. For seven nineteen years, they were together. CJ Carlet, love you, buddy. He's moved on now. Did she check with us a little bit? Like is this okay? She gave us a little lingering half a second look that we knew that maybe was what she was asking and we came to was like yes it's okay. And you know who else is saying it's okay? Who's dancing up there for you, Dad? So, was that her denying that the man she was divorced from twice, married two three times, and had three children with? Had moved on, no, but she didn't say, "I'm not," you know. Well, what's the book on how long I'm supposed to say single before I can be interested in another? You know, there's not a book on these things. How do you feel? Is loving is is loving CJ mean your love dad less? No. Is finding a new life and a new dance partner in this life and CJ mean that dad wasn't your dance partner? A dad wasn't the love of your life. No, so I don't know. I mean, in there, maybe you know, maybe there's another word. I think it's denial, but it's not really denial because it's not like it didn't happen. That's a earlier example. I was giving a mom, she will absolutely go. That light's not on, mom. The light's on. We just that light's not on. If I say it's not on, sometimes you're just like that makes no sense. You're just absolutely denying what just happened. We even have it recorded, and she'll go, "Well, the recordings line." Yeah, I mean, that's part of a coping deal with her. But I mean, what I think is more important or more valuable is to talk about this. She didn't deny my dad dying. I didn't, but she sure as hell turned a page and said, "I can still start a whole new category, a new life, a new love. Let my let my heart love and be loved by someone living in this life today that I'm still living in and that will not trespass on my love for my husband, your father Jim Connahay." And I think I I mean we were just thought that was beautiful. Yes, mom, go talk about green light. Go. Now if we're hung up going, can have one of the, can have them both. Got have one of the other. Now we start to make a contradiction of the two ideas again, which doggone contradictions get us in trouble all the time, man. That's life though, the contradictions, right? But isn't life if if if we just admit the contradictions? So much don't they become a paradox? We admit that that's part of it. If if if contradictions are inevitable, they hensely they do become a paradox, don't they? Then we're in the honey hall. Then we're singing and dancing and have leniency with ourselves while still holding ourselves to task, and it's it's. I think it's holding on to know each contradiction. Oh, here it is again, so it's a one off. It lives on its own, separate from the last one. No, it doesn't. They're connected. That's why they are paradox, and then that's I think that's a much. I think that's where life really is in the paradox. Yes, in the dance of it. I think the metaphor of red, yellow, green lights is just so simple and so powerful. You write about some green lights being engineered and some being mystical. Which I love the difference of that. What's the difference of the engineered green lights and the mystical? Such a cool word, mystical. Yeah, well, the engineered ones have reason and the mystical ones have rhyme. Yeah, you know life's a mystery going forward, but it's a science looking back. I prepared. I've had ideas, written headlines, and had goals. And athlete gets in shape for an event. I get in shape for a role. I read, I study, I work, I prepare, and I go. I'm prepared and I behave and I do it. And I look at and I go, yes, that's what

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